MAFS 2026 Brides’ Wedding Dresses: Designers, Silhouettes and Couture Moments
A bride-by-bride run-down of MAFS Season 13 gowns, from Cicely’s quiet sophistication to beach-ready Milla Nova drama and a $699 Meshki classic.

1. Stephanie, Cicely by Tania Olsen Designs
Stephanie was a vision in the “simple yet sophisticated Cicely wedding gown by Tania Olsen Designs.” The look leaned into clean lines and understatement rather than spectacle, the kind of dress that reads elegant on camera and photographs without fuss. For viewers who favor pared-back bridal chic, Stephanie’s Cicely offered a reminder that restraint can still command attention on a reality‑TV altar.
2. Brook, rainproof poise and Loeffler Randall heels
Not even the rain could dampen Brook's shine on her big day. She finished her bridal ensemble with a “something blue”, a pair of Loeffler Randall heels, turning a classic bridal color story into a practical style moment for a damp ceremony. The detail is a useful lesson: a memorable accessory can cut through weather drama and register on screen long after vows are exchanged.
3. Bec, off‑the‑shoulder drama from Jenny and Gerry’s Bridal House
Despite a “near catastrophic wardrobe malfunction that saw Bec tear her dress before heading down the aisle to Danny, Bec's bridal look was faultless.” She walked out in an off‑the‑shoulder gown from Jenny and Gerry’s Bridal House that featured floral embellishments along the neckline, wore her hair in soft waves and topped it with a cascading veil. The look married cinematic romance with real‑time drama, a floral neckline detail that held up even when the dress didn’t, and styling (soft waves, long veil) that reads beautifully on television.
4. Rebecca Zukowski, the contestant who called the process rushed
“It was all very much a bit rushed, I don't know why. And anyone that knows me, knows that's not my style,” Rebecca Zukowski said of her wedding dress, adding bluntly: “Let's be honest, I wasn't a fan of the dress... I wanted something classic, and elegant, and just plain Jane.” Those quotes capture the other side of MAFS bridal production: quick turnarounds and compromises that can leave a contestant longing for a more personal, classic look. Her comments underline that not every bride on the show walks away thrilled with the final choice.
5. Gia, Milla Nova fit‑and‑flare with beachside chaos
Gia put the fun in bridal fashion with this fit‑and‑flare gown by European designers Milla Nova; she accessorised the look with a long‑sleeve over jacket, tiara and a bouquet of lilies. The beach setting forced practical adjustments, “Gia's heels had to come off moments before the ceremony after she realised she was marrying on a sandy beach”, and the dress’s thigh‑high split revealed a garter that became a full‑on moment when husband Scott later removed it with his teeth. It’s a reminder that silhouette and setting must work in tandem: a fit‑and‑flare reads glamorous on sand, but the logistics can turn couture into improv.
6. Mel, Meshki’s Eileen gown and a headline‑making ceremony
Mel was described as looking “radiant in a traditional strapless wedding dress,” specifically the Eileen gown by Meshki, and “the 28‑year‑old wore the Eileen gown by Meshki which retails for $699.” The ceremony itself supplied reality‑TV heartbreak, groom Luke “left her standing solo at the altar”, but the styling was classically bridal, with hair “swept up in a half‑up‑half down 'do” and a sweet string of pearls. Meshki’s accessible price point for the Eileen shows that a show‑stopper silhouette needn’t always come with couture costs.
7. Rachel Gilmore, a quick, bespoke Anna Campbell collaboration
“I actually partnered with [Melbourne designer] Anna Campbell, and she had me in. We picked a dress and I basically got to design it,” Rachel Gilmore said, adding that Anna Campbell “had this kind of new line coming out, and we got to put it together... they made the dress for me from scratch, turned it around very quickly so I could wear it down the aisle.” That quote illustrates the rapid bespoke route some contestants took: true custom work executed under time pressure, producing a one‑of‑one gown that still had to survive production timelines. It’s the best illustration on the season of how fast couture can be made to feel personal.

8. Alissa, a named entry with missing public detail
9Now includes a header titled “Alissa” in its cataloguing of brides, but the available coverage does not supply dress details in the extracted text. The presence of an entry suggests Alissa had a distinct wedding look that was photographed and catalogued alongside the others; full details (designer, silhouette, accessories) are not present in the notes available here. For editors and readers tracking designers, that blank space flags a look worth revisiting in the full episode or the full 9Now photo gallery.
9. The season’s silhouettes: princess skirts, mermaid fits and custom couture moments
Across the coverage, the bridal language is consistent: “princess‑esque skirts,” “fitted mermaid shapes,” “fit‑and‑flare,” “off‑the‑shoulder,” and “traditional strapless” all describe the dominant silhouettes. Those choices map to the drama of the show, sweeping skirts read cinematic during aisle walks, mermaid and fit‑and‑flare shapes lean sexy and TV‑friendly, while off‑the‑shoulder and strapless options skew classic. When brides leaned into bespoke collaborations or designer labels, the costume department translated runway shorthand into distinct reality TV moments.
10. Couture week as a style well and practical shopping notes
Runway season offered the aspirational counterpart to the show's garments: Spring 2026 couture week served up looks “perfect for a wedding wardrobe,” with Jonathan Anderson’s Dior impressing with sculptural designs for the avant‑garde bride, Gaurav Gupta producing “seriously dreamy looks” for a whimsical to‑be‑wed, and Tamara Ralph sending out a collection that “felt almost exclusively bridal.” On the practical side, the season did deliver one explicit retail price, Meshki’s Eileen retails for $699, and shopping guides teased by outlets promise where to source similar pieces. The mix of runway inspiration and accessible price points is useful: if your mood board includes Dior‑level sculpture, you can still anchor a ceremony with a reachable piece like Meshki’s Eileen.
11. Why these dresses mattered on screen
The MAFS brides’ dresses were more than fabric and label copy, they were storytelling devices. From a torn floral neckline that became a defining moment, to a beachside split that turned into a garter gag, to the quiet elegance of a Cicely gown against rain and cameras, each look amplified the emotional stakes of the ceremony. Whether that meant collaborating with a local designer and getting a dress “made from scratch” at speed, or choosing a retail option under $1,000, the fashion choices on Season 13 did the work reality TV requires: they captured character, weathered chaos, and left visual moments viewers remember.
Conclusion MAFS Season 13 stitched together a spectrum of bridal approaches, custom Anna Campbell collaborations, European fit‑and‑flare drama, classic strapless retail options and accessory‑led statements, proving that on television, the dress must perform as well as it photographs. These gowns weren’t just outfits; they were cues in a carefully choreographed spectacle, and they highlight how silhouette, setting and production timeline combine to shape what we call a wedding look.
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