Maison Margot’s Collage Brings 90s Supermodel Glamour to Bridal Week

Bridal can tip into costume the minute it chases nostalgia too hard, but Maison Margot’s Collage kept its footing by working the references into the construction. Shown for Spring/Summer 2027 during New York Bridal Fashion Week’s April 7-10 market window, the collection leaned on sculpted silhouettes, crisp taffeta bodices, slip-inspired gowns and layered lace to translate 90s supermodel glamour and Old Hollywood polish into something a bride could actually wear.

The setting helped. Industry coverage described the presentation space as heritage-panelled, with dark timber, ornate columns and low candlelight, the kind of room that makes every seam look deliberate. In that atmosphere, Collage read less like a mood board and more like a study in control: volume was pushed into the skirt, structure held the bodice close to the body, and softness came through lace and fluid slips rather than fussy decoration. That balance is exactly what separates a cinematic gown from a themed one.

Maison Margot has spent more than a decade building that language. Founded by Shiran Navon in Israel, the label says it has been based in Tel Aviv since 2019, with Ella Kaliski, Navon’s sister-in-law, leading textiles and fabric development. The brand says its bridal line has served brides for almost a decade and releases at least one unique collection each year, shaped by handcrafted textile work, innovative sewing techniques and couture-inspired construction. That shows in the clothes: these are gowns meant to sit between bridal and evening couture, not dissolve into trend-chasing spectacle.

The business around the collection is as established as the design hand. Maison Margot says it sells across Europe, Australia, North America, Asia and Israel, and its 2026 trunk-show circuit stretches from New York and Los Angeles to Miami, Chicago, New Orleans and Corona Del Mar. Retailer listings place the gowns roughly between $7,000 and $13,000, a range that puts the label in serious bridal territory, where finishing and fabric carry as much weight as silhouette.

That may be why Collage landed so sharply. Trade coverage has described Maison Margot as one of the shows buyers and editors most anticipate each season, and this collection arrived at the right moment. Bridal is moving away from boho and toward city-chic minimalism and Hollywood glamour, and Maison Margot’s polished, sculptural approach gives that shift a body, a waistline and a train worth remembering.