Celine's Été 2026 Campaign Channels Classic Parisian Ease and Elegance
Michael Rider's sophomore CELINE collection trades glamorous excess for polo tops, high-waisted wool trousers, and gilded hardware shot in blinding white light by Zoë Ghertner.

Michael Rider's second collection for CELINE doesn't announce itself with noise. The Été 2026 campaign, photographed by Zoë Ghertner and released March 8, builds its case quietly: a model set against a bright white background, radiant sunlight carving shadows into sculptural silhouettes, bold oversized sunglasses and an elegant silk scarf doing the heavy lifting.
This is a house deliberately dialing back the maximalism. Retro where it counts and modern where it matters most, CELINE trades glamorous excess for a studied, modern ease. Rider's reference points land somewhere between a Left Bank afternoon and a yacht club that doesn't need to prove itself, embodying what Flaunt described as a classic eased Parisian demeanor — vibrant retro colors held inside a polished preppy framework.
The collection's physical vocabulary is specific: printed silk scarves, polo tops, high-waisted wool trousers, sartorial tailoring, gilded hardware. Nothing is careless. The accessories carry their own weight, with leather belts and oversized sunglasses creating the interplay of light and shadow that Ghertner's camera exploits against that blown-out white backdrop. From day to evening, Rider's approach carries through both campaign and collection — a wardrobe that works as a system, not a series of disconnected statements.
Rider's sophomore effort for the house also carries a conceptual thread he introduced with his debut: the idea that clothing holds the memories we create while wearing them. A summer collection is the right vehicle for that thesis. Heat, brightness, ease — these aren't abstract qualities here; they're built into every polo collar and silk hem.

The campaign cast is broad and deliberate: Agel Akol, Bakary Cisse, Bas Van Geertruy, Betsy Gaghan, Binx Walton, Cathy Simmons, George Anderson, Jesse Rinderknecht, and Valerie Margareta. A film directed by Massimiliano Bomba accompanies the stills, extending the collection's visual language into motion without abandoning the campaign's core quietness.
Rider's Été 2026 suggests he's found his register at CELINE: not louder than necessary, never less than precise.
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