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Michaela Coel sharpens Ferragamo’s skirt-suit revival with old-money polish

Michaela Coel’s navy Ferragamo suit turns skirt-suit dressing into after-hours polish, with a cut-out, patent mules and a sleek top-handle bag.

Mia Chen2 min read
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Michaela Coel sharpens Ferragamo’s skirt-suit revival with old-money polish
Source: marieclaire.com
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Michaela Coel just showed how to make a skirt suit feel expensive, sharper and a little dangerous without losing polish. In New York on April 9, 2026, during her press tour for The Christophers and Mother Mary, she stepped out in a navy Ferragamo look styled by Nell Kalonji that read like officewear after dark.

The formula was all in the details. The jacket was collarless, with buttons placed high at the shoulders and down the front, then broken by one undone button beneath the bust that created a small cut-out. The mini skirt kept the line tight and modern, then softened the severity with white origami-like folds. It was the sort of tailoring that says quiet confidence, not corporate stiffness.

Coel finished the look with Ferragamo patent leather mules priced at $1,150, a number that lands firmly in luxury territory but still feels justified beside the precision of the outfit. The shoes gave the whole thing a glossy edge, while tortoiseshell sunglasses and a black leather top-handle bag from Studio Amelia, listed at $475, kept the styling grounded in everyday wearability rather than red-carpet excess. That mix is the point: the suit is structured, but the accessories make it legible for a wardrobe that actually gets used.

AI-generated illustration
AI-generated illustration

The outfit also slots neatly into the broader 2026 skirt-suit revival, where the silhouette has shifted from boardroom code to something more sultry, more leggy and far less obedient. Ferragamo has been pushing that tension for a while. Its Spring/Summer 2026 show in Milan on September 27, 2025, framed Maximilian Davis’s vision around the Roaring Twenties, Lola Todd’s 1925 leopard look, the Harlem Renaissance and the Africana movement, with sculptural tailoring, reworked archival references and sharp modern cuts. That house language makes Coel’s look feel like a natural extension of the brand’s direction rather than a one-off styling trick.

What makes this version work is restraint. The navy palette keeps it old-money polished, the mini length makes it younger, and the cut-out stops it from drifting into banker cosplay. Coel didn’t just wear a skirt suit. She made it feel like the after-hours answer to one, which is exactly why it looks ready to move from front row to real life.

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