Sidewalk Film Center Bookies Kristoffer Borgli’s The Drama for Spring Run
Sidewalk’s spring booking of The Drama keeps Birmingham plugged into the same indie-film conversation as larger art-house markets, with multiple April screenings already on the calendar.

Sidewalk Film Center + Cinema is making a clear programming statement with Kristoffer Borgli’s The Drama: Birmingham does not have to wait for a streaming wave to catch the kind of festival-season indie that is still shaping the wider conversation. By placing the Zendaya and Robert Pattinson vehicle into a spring run, Sidewalk is showing the same curatorial instinct that has made it a dependable stop for current independent cinema, not just repertory favorites.
That matters because The Drama arrives with exactly the kind of profile Sidewalk has built its name around. Borgli’s 2026 romantic black-comedy follows a happily engaged couple whose wedding week is thrown off course by an unexpected turn, a premise that fits squarely into the festival-to-theater pipeline. It is sharp, contemporary, and built around a cast that gives the film immediate recognition, with Zendaya and Robert Pattinson joined by Alana Haim and Mamoudou Athie. Public listings put the runtime at about 105 to 106 minutes, and the film opened in the United States on April 3, 2026.

Sidewalk’s April schedule gives The Drama more than a one-night berth. The film is set across multiple screenings over several days, which is the kind of runway that lets word of mouth build in a market where cinephiles often decide after the first show whether a title becomes a repeat visit. Sidewalk is pairing it with other contemporary indie titles such as Fantasy Life and ChaO, reinforcing a spring lineup built around current releases rather than a single marquee attraction.
The setting helps explain why this strategy works. Sidewalk Film Center + Cinema operates in Birmingham’s historic theatre district in the restored Pizitz Building at 1821 2nd Ave. N., and the nonprofit venue has two screens, a bar, concessions, and a multi-function room. That setup gives the theater flexibility to keep a film like The Drama in rotation while still maintaining an active calendar around it. Sidewalk also produces the nationally recognized Sidewalk Film Festival and organizes educational programs for filmmakers, which keeps the venue positioned as a year-round indie-film institution.
For Birmingham audiences, the value is simple: a nationally visible title is playing locally while it still feels current, and Sidewalk is using that booking to keep the city inside the same art-house conversation as larger markets. The Drama is not just on the schedule. It is part of the case for Sidewalk as a place where independent film lands in real time.
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