Hidde van Wee Makes Eastenderz Debut With Three-Track Shamans Vision EP

Hidde van Wee's debut on Eastenderz arrived on March 20 with *Shamans Vision*, a three-track EP catalogued as ENDZDGTL014. The release is a minimal/deep tech record spanning 131-133 BPM across its three tracks, and it marks a significant label step for the Dutch producer, who has been gaining recognition for dynamic and groove-driven productions via releases on labels including Heavy House Society.

A defining earlier milestone came with his EP on Chris Stussy's Up The Stuss imprint, which earned strong support across the scene. The Eastenderz move puts van Wee alongside a roster that has included Sidney Charles, Julian Fijma, and Obskür, on a label that ranked as the third best-selling minimal/deep tech imprint on Beatport in its genre category.

The EP opens with the title cut, "Shamans Vision," an 8:07 deep tech workout in F minor at 131 BPM. The middle track, "On My Own," stays in F minor at the same tempo but clocks in tighter at 6:22 with a house-leaning classification. Closer "HTQ" is the longest of the three at 8:43, stepping up to 133 BPM and shifting into Gb minor for a deep house finish. The harmonic range across the release, F minor through F# minor at 131-133 BPM, gives DJs genuine flexibility for sequencing within a set. The full EP runs just over 23 minutes and is available in MP3, FLAC, and AIFF.

The promo language circulating across the release describes it as "a tight three-tracker of driving rhythms, sharp grooves, and hypnotic synth lines - direct club music with serious intent." The premiere was handled by House Six on SoundCloud, where early listener responses were direct: comments on the premiere stream included "This is silly stuff" from user Charlie jones, "Brilliant" from Dean, and a simple "Tune" from Tomas Shredz.

On Beatport, the title track "Shamans Vision" charted in the minimal/deep tech top 10 on its release date of March 20, 2026. For a label debut, that kind of immediate traction on a catalog as consistently active as Eastenderz's is worth noting. Van Wee has been building steadily as a rising voice in the Dutch house scene, and *Shamans Vision* reads like a deliberate step toward the deeper, more floor-functional end of his range.