Roger Blanco Jr. delivers peak-time minimal tech house drive with Naughty
Roger Blanco Jr.’s 132 BPM “Naughty” lands as a lean, late-night tool, with a rolling bassline and sharp synths built for peak-time pressure.

Roger Blanco Jr. turned in a compact club record with “Naughty (Extended Mix),” a 132 BPM cut that arrived on ECLIPSE RECORDS MX under catalog number 3319760. The track is built around a tight, rolling bassline, crisp percussion and sharply etched supersaw details, giving it the kind of clean, expensive sheen that cuts through a room without crowding the mix.
That matters because “Naughty” is made for selectors who want motion over spectacle. The arrangement keeps a minimal frame, but the groove carries enough weight to work late in the night, when a set needs to stay locked rather than reset. Its energy is immediate and functional, which makes it a strong fit for peak-time minimal tech house sets in underground rooms where tension, low-end control and percussion detail matter more than big breakdown theatrics.
At 132 BPM, the record sits at the upper edge of the tech-house lane. House music is typically mapped around 115 to 130 BPM, and tech house commonly sits around 120 to 130 BPM, with many releases clustering near 125 to 130. Blanco Jr. pushes just beyond that comfort zone, and the result is a track that feels more like a pressure valve than a mood piece: still minimal in structure, but fast enough to sharpen the dancefloor when the room needs a lift.
Roger Blanco Jr.’s background helps explain the record’s club-first focus. He is publicly described as based in Ciudad Juárez, Mexico, and his Bandcamp bio calls him an Open Format DJ in Cd. Juárez, México. His YouTube bio identifies him as an Open Format DJ & Producer from Cd. Juárez, México, and a recent showcase set from Northwaves Studio in Ciudad Juarez was labeled Tech House, Bass House, EDM. That wider range shows up in the way “Naughty” balances restraint with a harder-edged punch.
The release also fits into a growing run of material that includes earlier titles such as “6 AM” and “See You Dancing.” Together, those records place Blanco Jr. in the camp of producers treating minimal tech house as a practical DJ language, where groove control, subtle tension and clean low-end design do the heavy lifting. “Naughty” does not chase subtlety for its own sake; it chooses immediacy, and in the right room, that is exactly the point.
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