Tosh Alexander, DJ Mac and CrashDummy drop brisk dancehall single Run Di Money

Run Di Money landed on April 16 as a compact digital single from Tosh Alexander, DJ Mac and CrashDummy, and the release mechanics were as sharp as the title. Reggaeville listed it as a digital release produced by DJ Mac, while Audiomack showed the track at just 2:20 and tagged it as a single with one song. That kind of lean package is exactly what travels fastest now, especially when a record needs to move through radio rotations, playlist adds and quick-hit social clips without any extra weight.

The song’s title tells you the lane before the first chorus even kicks in. Run Di Money sits squarely in dancehall’s hustler register, where talk of ambition, pressure and movement can carry a whole tune in a small amount of time. At 2:20, the record does not need a long intro or an extended arrangement to make its point. It is built to snap into the mix, land its hook, and invite another spin.

Tosh Alexander brings a background that fits that cross-border energy. A profile describes her as Brooklyn-born, notes that she was raised in both Jamaica and South Florida, and says she was named after her mother’s favorite reggae icon, Peter Tosh. That gives the release an easy line back to reggae’s roots even as the sound moves in a more contemporary dancehall direction. The blend of Brooklyn, Jamaica and South Florida also helps explain why the record feels tuned to multiple scenes at once.

DJ Mac’s presence matters too, because his name has been showing up repeatedly across current reggae and dancehall circulation. Reggaeville’s DJ Mac page ties him to Surpiz’s Informer 2.0 and Buju Banton’s X-Rated (WYFL Riddim), which places Run Di Money inside a wider, active production lane rather than a one-off drop. With CrashDummy in the mix, the collaboration feels assembled for speed, chemistry and quick audience response.

Spotify also lists Run Di Money as a 2026 single with one song, reinforcing the sense that this is a standalone release built for reach, not a slow album campaign. Across Audiomack, Spotify and Reggaeville, the rollout looks calibrated for immediate circulation. In a market where short tracks are easier to program, easier to share and easier to replay, Run Di Money is engineered for the loop.