Casey Perez shapes Golden Loma Pendant with fluted teapot inspiration

From domestic objects to heirloom gold

Casey Perez’s Golden Loma Pendant starts with two unlikely references, a fluted teapot and a vintage scalloped lampshade, and ends as a pendant that feels less like an accessory than a small object of design history. That translation matters because the piece is not relying on decoration alone. Its value lives in how the surface catches light, how the curves resolve at the edge, and how a single natural white diamond is placed to sharpen the entire composition.

Perez has a gift for making gold feel architectural rather than ornamental. The Loma Pendant sits inside a body of work that treats metal as sculpture, with soft radial fluting and a gold-forward silhouette that reads as both modern and collectible. For anyone shopping gold pendants, this is the kind of piece that rewards close looking: the fluting is not merely texture, it is the mechanism that animates the surface.

Why the teapot and lampshade matter

The power of Perez’s design language is that it begins with forms most people understand instinctively. A teapot suggests control, balance, and a vessel shaped by use. A scalloped lampshade suggests rhythm, softness, and the way repeated curves can make light feel warmer and more intimate. In the Loma Pendant, those references become fluting and scalloping, two details that tell you the pendant was conceived as an object with presence, not as a generic gold charm.

Those motifs also signal a more discerning kind of value. Fluting creates movement across a polished surface, which means the pendant will shift in appearance as the wearer moves. Scalloped or gently curved edges soften the profile, preventing the piece from feeling hard or overly assertive. When shopping gold pendants, those are the details that separate a well-made design from one that simply uses gold as a blank canvas.

What to notice when you look closely

The Loma Pendant is described by Casey Perez Jewelry as a sculptural gold pendant with soft radial fluting and a natural white diamond at its center. The pendant is designed to catch the light and wear easily on a favorite chain, which is exactly the sort of practical elegance that makes a piece feel lived-in from the beginning. It is not built to sit in a box and wait for an occasion; it is built to move with the body.

If you are reading it as a jewelry buyer, here is what matters most:

• Fluting: The grooves give the gold a sense of direction and depth, and they are doing the visual work that a heavy pave surface might do elsewhere.

• Scalloping and gentle curves: These soften the pendant’s outline, making it feel more fluid and less severe.

• Proportion: The pendant is meant to live on a favorite chain, so its scale is part of the design, not an afterthought.

• Finish and light play: A good gold pendant should not look flat. The Loma Pendant is made to catch the light, which is where its sculptural character becomes clear.

• The center stone: The natural white diamond is used sparingly, which preserves the gold’s dominance and keeps the piece from drifting into conventional sparkle.

A New York-made object with clear authorship

Perez’s jewelry is handcrafted between her Brooklyn studio and New York City’s jewelry district, using traditional techniques, recycled gold, and responsibly sourced stones. That production model gives the pendant a distinctly local identity. It also supports jewelers, setters, casters, and craftspeople in New York, which matters in a category where true handmade quality often depends on a network of specialized hands.

The pendant’s origin story is equally specific. Perez is a first-generation Mexican-American artist and goldsmith based in New York. She studied psychology and art history at New York University, then took a metalsmithing course that changed her direction and, in her words, “everything clicked.” That pivot helps explain why her work feels intellectually shaped as well as visually resolved. She came to jewelry through observation, language, and structure, then found a medium that could hold all three.

How her references shape the gold

Perez’s brand says its work draws inspiration from modernist architecture, the Bauhaus and Memphis movements, and Swedish minimalism. Those influences are not decorative name-checks. You can see them in the way her pieces balance geometry and softness, and in how they treat negative space and curve as compositional tools. The Loma Pendant fits that vocabulary neatly, with a form that feels both disciplined and tactile.

Her broader practice has also been shaped by her Mexican-American heritage, and she has spoken about not wanting to limit her creativity to one thing. That openness gives the work its emotional range. A pendant like Loma can read as architectural one moment and intimate the next, which is precisely why it stands apart in gold jewelry: it has a point of view, but it is not locked into one register.

Why this pendant feels more lasting than trendy

The Loma Pendant arrives within a larger gold-centric body of work that was already being described as rhythmic and sculptural, and Perez’s 2024 Couture spotlight highlighted the improvisational way she sculpts, bends, and hammers yellow gold into arch-inspired forms. That history matters because it shows continuity. The pendant is not a one-off gesture chasing a seasonal mood; it extends a design vocabulary that has been building through her work.

Perez’s commitment to community also adds another layer to the piece’s meaning. Casey Perez Jewelry regularly donates to organizations benefiting communities of color, women, and immigrant populations, including Make the Road New York, Equal Justice Initiative, BIPOC Mental Health Resource Project, Domestic Workers Alliance, and Worker’s Justice Project. That gives the brand a civic dimension that aligns with the seriousness of its craft.

For the gold jewelry buyer, the lesson is straightforward. The most interesting pendants are rarely the ones that shout the loudest. They are the ones whose details are precise enough to reveal how they were thought through, from the curve of a fluted surface to the restraint of a diamond centered in gold. The Loma Pendant makes that case with unusual clarity, and it does so by turning a teapot, a lampshade, and a sheet of gold into one coherent piece of wearable form.