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Kauaʻi Artists Advance to Hawai‘i to the World Finale, Island Pride Grows

Two artists from Kauaʻi, singer songwriter Beya and kumu hula Troy Allen Lazaro, were among five finalists who competed in the Hawai‘i to the World finale that aired Sunday, December 14. Their advancement highlighted Kauaʻi culture and raised questions about how arts platforms support community well being and cultural preservation.

Lisa Park2 min read
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Kauaʻi Artists Advance to Hawai‘i to the World Finale, Island Pride Grows
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After four weeks of standout performances and emotional stories from across the pae ʻāina, the Hawai‘i to the World season concluded on Sunday, December 14 with a finale that crowned a season champion and awarded a ten thousand dollar grand prize. Two of the five finalists call Kauaʻi home, underscoring the Garden Isle presence on a statewide stage. Singer songwriter Beya and kumu hula Troy Allen Lazaro of Hālau Ka Pā Hula o Hīnano tied during the Kauaʻi episode and advanced to compete alongside artists from other islands.

The program offered a public platform for artists and cultural practitioners, particularly Native Hawaiians, to present contemporary artistry rooted in traditional practice. The Hawaiian Council encouraged viewers to tune in and support the finalists, framing the series as a space for cultural depth, island pride and intergenerational connection. For Kauaʻi residents, the visibility of local voices on a statewide broadcast reinforced a sense of community representation and recognition.

Beyond celebration, the event also has practical implications for Kauaʻi. Advancing artists can gain exposure that leads to performances, teaching opportunities and income streams that matter in an island economy with limited arts infrastructure. Cultural practice supports mental health and community resilience by strengthening identity and social cohesion. For a rural county facing long term inequities in access to services and resources, investments that expand cultural careers and arts programming are also investments in public health.

The finale demonstrated both the potential and the gaps in how the state supports cultural practitioners. Sustained funding for arts education, culturally grounded programming in schools, and targeted support for Native Hawaiian creatives on rural islands would help translate media visibility into lasting opportunity. Policymakers and community leaders in Kauaʻi might look to the momentum from the show to advocate for resources that support artists, preserve cultural knowledge and improve wellbeing across the island.

As community members celebrate Beya and Kumu Lazaro and the broader field of Hawaiian artistry, the conversation now turns to how visibility can lead to durable support, equitable access and strengthened cultural and public health outcomes for Kauaʻi.

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