aJane Glass Studio Opens in Coupeville; Arrianne Bright Teaches March 21

Coupeville visitors can try hands-on glass projects at aJane Glass Studio during Musselfest on March 7, from 11 a.m. to 4 p.m., including 30-minute “make-it” sessions priced as examples at $40 for a glass sand dollar and $30 for a fused glass necklace, and can sign up for a longer class on March 21 when studio founder Arrianne Bright will teach how to make translucent glass window art from 10:30 a.m. to 1:30 p.m.

Bright brings deep industry experience to the new studio: aJane Glass Studio & Gallery describes her as having worked in glass for more than 23 years, including 13 years with Bullseye Glass, where she received advanced training and collaborated with international artists. The studio’s marketing line — “You bring your curiosity. We’ll guide you the rest of the way.” — frames its emphasis on guided learning for both first-time makers and seasoned artists.

Local reporting frames the studio opening as part of Musselfest festivities. Marina Blatt reported that patrons “will have the opportunity to craft a 30-minute ‘make-it project,’ with options ranging from a $40 glass sand dollar to a $30 fused glass necklace,” positioning the March 7 open house as an accessible entry point for families and visitors looking for a quick creative activity downtown Coupeville.

The March 21 workshop is scheduled for 10:30 a.m. to 1:30 p.m. inside Bright’s studio and is billed specifically as a class on translucent glass window art. Newspaper photo captions show Bright holding up translucent window pieces inside the studio; those images were credited to Marina Blatt. Fee details for the March 21 session are not listed in the source material provided.

The studio itself combines a gallery and a workshop area. Marina Blatt described wood shelves — designed and built by her contractor husband — that “spotlight translucent glass pieces and her sculpted jewelry under warm lighting, turning the studio into a cozy retreat from one’s busy life.” The reporting notes the interior is curated to feel “warm and welcoming” while showcasing kiln‑formed glass work.

Instruction at aJane spans short and longer formats: Marina Blatt noted classes range “from one-hour introductory sessions to more in-depth workshops and private classes,” while the studio’s own materials promise “premium kiln-formed glass materials” and “modern tools and equipment.” Techniques and raw materials mentioned include frit (crushed glass), stringer (spaghetti-like pieces), and shimmering dichroic shards — elements that Marina Blatt wrote “add what Bright calls ‘pizzazz’ without advanced technique,” underscoring the studio’s accessibility.

Local color in the coverage calls Bright “Whidbey’s newest ‘Bill Nye’ of glass” and the aJane branding emphasizes “Beautiful Glass. Thoughtful Teaching. Exceptional Experience.” Bright has signaled longer-term ambitions for the space: she “hopes, with time, she can expand to offer open studio time, private events and, eventually, artist residencies for lower-income creatives,” which would extend the studio’s role beyond classes into community and creative-support programming for Whidbey Island. Photo credit for studio images: Marina Blatt.