AWP 2026 Brings Thousands to Baltimore Convention Center; John Waters Keynote
Thousands of writers are filling the Baltimore Convention Center for AWP’s March 4–7 conference and bookfair, with John Waters slated as the keynote and 300+ events across the city.

Thousands of writers, editors, students, and publishers are occupying the Baltimore Convention Center as the Association of Writers & Writing Programs (AWP) Conference & Bookfair runs March 4–7, 2026, with John Waters announced to deliver the conference keynote. Organizers promoted the four-day gathering as a major literary convergence in Baltimore, and the convention floor and surrounding venues reflect that scale.
Exhibitors and program listings show the Bookfair running alongside more than 300 events and “hundreds of literary organizations, small presses, magazines, university presses, and MFA programs.” The Authors Guild is staffing Booth 1043, and the Council of Literary Magazines and Presses (CLMP) is at Booth 1046, where staff have invited attendees to pick up stickers and attend CLMP-sponsored panels and their annual meeting.
Logistics at the Convention Center are running on a densely scheduled cadence: conference registration is staged in the Charles Street Lobby, Level 100, with pickup hours listed for Wednesday, March 4 from 12:00 p.m. to 7:00 p.m. and additional registration windows noted at 8:00 a.m. to 5:00 p.m. on subsequent days. Early-morning programming includes the Sober AWP daily 12-Step meeting in Room 301, Level 300 — a Thursday session listed for 7:30 a.m. to 8:45 a.m. that states, “All in recovery from anything are welcome.”
Programming highlights from CLMP and the AWP schedule underscore the conference’s editorial and international focus. CLMP’s panel “Editors of Color: The Political & Personal” is set for Friday, March 6, 1:45 p.m. to 3:00 p.m. in Room 321-322, Level 300, with a description framing journals as sites for conversations about race, mission, craft, and literary citizenship. An African literature panel in Room 323, Level 300 features Adedayo Agarau, Romeo Oriogun, Mubanga Kalimamukwento, and Tramaine Suubi in a program billed to examine translation, authenticity, and prizes as African writing reaches global lists.

Beyond the convention halls, AWP has turned into a citywide festival. Baltimore Magazine highlights off-site events at Charm City Books and a Thursday evening reading at the If You’ve Got ‘Em gallery on Hargrove Street featuring local readers Jane Lewty and Sylvia Jones amid artist Nate Brown’s exhibit of 1,000 cigarette paintings. Saturday evening activity centers on 2640 Space, which lists readings by Hopkins Review contributors, eats from Blue Pit BBQ, a silent auction benefiting Baltimore lit orgs, and an AWP wrap-up dance party running until 10:30 p.m. Bird in Hand is hosting a social for writers organized by Rebecca Makkai.
The conference also includes a remote component: CLMP notes that “#AWP26 will feature a remote component, with several live-streamed events and a selection of prerecorded virtual events,” and the Authors Guild confirms virtual-only registrations to access select programming. Program fragments from the AWP schedule further reference receptions and performances; one fragment lists “One free drink ticket per guest and appetizers will be available, as well as a performance by the Cornelius Eady Group,” though the materials available to reporters are fragmented on which reception that item corresponds to.
Organizers frame AWP as “the essential gathering for writers, teachers, students, editors, and publishers,” and with conventions, panels, readings, and off-site parties continuing through March 7, Baltimore’s cultural calendar remains tightly booked as the city hosts what UA Press and exhibitors describe as a vital, city-spanning literary celebration.
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