Cynthia Erivo? No, Christine Baranski to make West End debut in Hay Fever
Christine Baranski will make her West End debut opposite Richard E Grant in Hay Fever, with tickets now on sale for the Wyndham’s Theatre run.

Christine Baranski is heading to Wyndham’s Theatre for her first West End role, taking on Judith Bliss opposite Richard E Grant in a new staging of Noël Coward’s Hay Fever. The 12-week run begins on 22 September 2026, and tickets went on sale on 17 April 2026.
Baranski called the move a “dream come true” and said stepping into a Noël Coward play in London felt “extraordinary” at this point in her career. She said the role had long been on her bucket list and that she had already started studying the part, learning her lines and working to polish an English accent.
The production gives Baranski a quick turnaround after her television commitments. She said she will finish The Gilded Age in mid-August and head into rehearsals a few days later. For an actor best known to many viewers for The Good Wife and Mamma Mia!, the stage return carries particular weight because she said she last performed on stage 20 years ago.
Baranski’s attachment to the West End stretches back more than five decades. She said she attended her first West End play in 1971 as a Juilliard student and now looks forward to a life in London, a city she said she absolutely adores. That personal history underlines why this debut matters beyond casting: the West End remains a benchmark for veteran American performers who want to test themselves in one of theatre’s most watched arenas.

Grant is making a similarly notable return. He said he last performed in the West End 20 years ago and described himself as delighted to be back after the gap, calling Baranski “sensational”. Emily Burns will direct the production.
Hay Fever itself adds another layer of theatrical continuity. Coward wrote the comedy of bad manners in 1924, it first premiered in the West End in 1925, and the play is now 101 years old. A new staging at the same London venue ties Baranski’s debut to a long line of transatlantic stage prestige, showing why the West End still matters in an era dominated by streaming and franchise entertainment.
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