Olivia Rodrigo announces 65-date global arena tour for new album

Olivia Rodrigo is stepping into the upper tier of global arena pop. Her Unraveled Tour will span 65 dates across North America, Europe and the United Kingdom, with multi-night runs in some of the world’s biggest live markets and four shows each in Los Angeles, Brooklyn and London.

The tour is tied to her third studio album, you seem pretty sad for a girl so in love, due June 12 through Geffen Records. The first date is set for Sept. 25 at PeoplesBank Arena in Hartford, Connecticut, and the North American leg stretches into early 2027, with final listed stops in Los Angeles and Brooklyn. That routing alone signals how Rodrigo’s team is thinking about demand: not as a one-off album launch, but as a continent-spanning arena business built around repeat buyers and immediate sell-through.

The schedule reads like a map of bankable pop scale. Live Nation’s official listing includes repeat appearances in Washington, Chicago, Atlanta, Nashville, Vancouver, Oakland, Las Vegas, Stockholm, Paris and Milan, a pattern that favors large metropolitan arenas over smaller theaters or club-sized test markets. Alongside the headline venues, Rodrigo will bring Devon Again, Die Spitz, Grace Ives, The Last Dinner Party and Wolf Alice on select dates, giving the run the kind of supporting lineup that can deepen ticket appeal without changing the core draw.

The commercial machinery is already in motion. American Express presales begin May 5, with the general onsale set for May 7 at 12 p.m. local time. Fans in the United Kingdom and Europe can register for presale access by May 4, and Rodrigo’s official store is pushing tour merchandise and album preorder items, including an Unraveled Tour T-shirt, a poster and exclusive vinyl and CD variants. The rollout is designed to turn the tour into more than a ticket event, linking live demand to physical sales and preorder momentum.

The scale matters because Rodrigo has already shown she can convert streaming-era fandom into arena revenue. GRAMMY.com says she has 14 nominations and three wins, while Billboard-industry coverage of her GUTS World Tour put that run at nearly $185 million in gross and more than 60 cities across 20-plus countries in 2024 and 2025. That is the kind of track record that justifies a 65-date global booking before the first ticket goes on sale.

For the live-music economy, the message is clear. Gen Z stars can still support massive, high-margin arena circuits when the fan base is broad enough, the album campaign is tightly coordinated and the routing is aggressive enough to milk major markets for multiple nights. Rodrigo’s Unraveled Tour is not just a sequel to GUTS. It is a test of whether she has become a durable, global headliner on the scale the touring business now needs.