Sarandos pushes to seal $83 billion Warner Bros. Discovery acquisition
Ted Sarandos urged shareholders to accept Netflix’s $83 billion WBD offer, pledged a 45-day theatrical window and dismissed rival bids as “noisy” and risky.

Ted Sarandos, co‑chief executive of Netflix, stepped into the public fight over the company’s agreed $83 billion acquisition of Warner Bros. Discovery on Feb. 22, pressing shareholders and regulators to accept what he called a clear, enforceable offer and warning that rival suitors pose greater risks to jobs and films.
Sarandos said Netflix’s proposal was straightforward and labeled competing rhetoric “noisy.” “It’s probably cheaper to make noise than it is to raise your bid,” he said in a Feb. 22 interview, framing the dispute as a contest between a concrete deal and competing proposals that, in his view, lack clarity. He described Netflix’s terms as “super‑simple, $27.75 cents a share plus the value of Discovery Global,” repeating the per‑share language he used in the interview while emphasizing the headline $83 billion transaction value.
The Warner Bros. Discovery board reopened talks with a rival group led by Paramount and Skydance and granted the suitors a seven‑day window to present further detail. Sarandos defended that timetable as a service to shareholders, saying, “That’s the reason why we’re having this seven‑day window that we granted them, was to bring some clarity to the shareholders of Warner Bros. Discovery. So they knew what our deal was, and they knew what these other deals were because they were so noisy on that side.”
A central element of the public argument is the future of theatrical releases. Lawmakers and filmmakers have pressed for guarantees that a Netflix takeover would preserve theatrical exhibition windows that sustain box office revenue and cinema operators. Sarandos repeatedly pledged to maintain a 45‑day exclusive theatrical window for Warner Bros. films “exactly as they are today.” In a detailed rebuttal to critics who say Netflix would erode theatrical runs, he wrote: “I respect Mr. Cameron enormously and I love his work. But his letter to you knowingly misrepresents our position and commitment to the theatrical release of Warner Bros. films. ... We will continue to release Warner Bros. films in theaters with a 45‑day exclusive window, exactly as they are today. This is not a tentative goal or a flexible guideline; it’s a hard number and a firm commitment.”

Sarandos also assailed the rival campaign behind the Paramount Skydance approach, accusing supporters of spreading misinformation and singling out filmmaker James Cameron as part of what he called a “Paramount disinformation campaign.” He characterized the rival proposal as “risky” and akin to a “leveraged buyout,” arguing that Paramount’s publicly discussed cost‑savings targets could translate into deeper cuts. Paramount has signaled up to $6 billion in efficiencies; Sarandos warned that figure would “balloon to $16 billion ‘in very short order,’” framing that outcome as likely to produce job losses and reduced film output.
The clash puts shareholders and regulators in the difficult position of weighing competing visions for the merged company: one pitched as a growth engine that preserves theatrical distribution, the other billed by its proponents as focused on immediate cost synergies. The next seven days will test whether Warner Bros. Discovery’s directors receive a binding, higher offer or move to close on the Netflix transaction.
Beyond immediate bidding dynamics, the dispute has institutional consequences for antitrust review and industry structure. Regulators examining streaming consolidation will scrutinize commitments on content windows and workforce impacts, while shareholders must evaluate not only price but the credibility of public pledges on theatrical practices and programming. Sarandos’ public campaign aims to make that calculus simple for investors; the competing camp is betting that shareholders will prioritize near‑term cash and operational changes. The decision will reshape the business of movies and television for years and determine where hundreds of jobs and the release patterns of major films ultimately land.
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