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Tenth Biennial Maine Wood 2026 Opens at Messler Gallery with Awards

Maine Wood 2026 opened at the Messler Gallery, featuring 73 submissions from 44 Maine makers and announcing awards backed by major tool sponsors.

Jamie Taylor2 min read
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Tenth Biennial Maine Wood 2026 Opens at Messler Gallery with Awards
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The tenth biennial Maine Wood 2026 opened at the Messler Gallery at the Center for Furniture Craftsmanship on January 23, bringing together furniture makers, sculptors, carvers, and turners from across the state. The juried exhibition drew 73 submissions from 44 Maine makers, making it a concentrated snapshot of regional craft and technique that matters to anyone following contemporary woodwork and turning.

An opening reception and awards ceremony are scheduled for the week of January 26–30, when prize winners backed by sponsors including Rockler, Lie-Nielsen, and Tools for Working Wood will be honored. Jurors for the show included established studio furniture and woodworking figures and woodturner David J. Marks, whose presence on the panel signals an emphasis on both fine furnituremaking and turning practice. The prize program and sponsor support provide tangible incentives for makers to push design and technique while helping buyers and collectors identify notable work.

For woodturners, Maine Wood 2026 offers high-value benefits beyond pure spectacle. Seeing a wide range of bowls, hollow forms, and sculptural turning in one space accelerates learning about grain selection, tool control, and finishing choices. The juried context also showcases trends in material use and surface treatment, useful for makers refining their own portfolios or preparing work for galleries and craft fairs. Sculptors and furniture makers in the show bring complementary approaches to joinery, lamination, and mixed-media surfaces that can spark new directions in turning and tooling choices.

The exhibition functions as a community clearinghouse: it provides exposure for individual makers, recognition through juried awards, and connections to suppliers and tool sponsors whose support helps underwrite prizes and programming. For buyers and institutions tracking Maine-made craft, the show distills the state’s craft ecology into a single viewing opportunity, highlighting both established makers and newer voices.

Visitors planning to attend should note the Messler Gallery as the site for public viewing and the week of January 26–30 for the formal reception and awards presentation. Whether you follow surface texturing, hollowing techniques, or furniture-scale turning, Maine Wood 2026 offers a concentrated chance to study current practice, compare finishes and joinery, and meet peers and suppliers.

The show’s mix of turners, carvers, sculptors, and furnituremakers means this exhibition will shape conversations about craft and market direction in the coming months; plan to see what’s being turned up and which directions Maine makers are taking next.

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