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Susie Cave returns with dark-romantic Weddings and Funerals atelier

Susie Cave turns bridal into ritual with a 25-look black-and-white atelier in Kensington, where Weddings and Funerals treats mourning and marriage as one mood.

Claire Beaumont··2 min read
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Susie Cave returns with dark-romantic Weddings and Funerals atelier
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Susie Cave has returned to occasionwear with a provocation, not a conventional bridal line. Weddings and Funerals frames dressing for marriage and mourning as part of the same emotional register, a dark-romantic demi-couture proposition that treats ceremony, grief and glamour as intertwined rather than separate.

The new venture, styled as SUSIE CAVE, Weddings and Funerals, opened as an appointment-only atelier on Kensington Church Walk in London in mid-to-late May 2026. Its debut offering comprises 25 silhouettes, each custom-tailored and personalisable, with the first run limited to black and white pieces. That narrow palette is exactly the point: Cave is rejecting the familiar bridal fantasy of endless white variations in favour of something starker, more intimate and far more editorial. The project is not traditional bridal or funeral wear, but a costume-like exploration of ritual and performance, which gives it a sharper edge than the usual occasionwear launch.

Cave’s return carries real fashion weight because she is not entering the market as a newcomer chasing a wedding trend. She co-founded The Vampire’s Wife with Alex Adamson in 2014, and the label became one of Britain’s most recognizable cult occasionwear names before ceasing trading in May 2024. Its cinched, ruffled dresses were worn by the Princess of Wales, Kate Moss, Sienna Miller, Kylie Minogue and Daisy Lowe, and the Falconetti dress became a defining piece of the brand’s mythology, with one famous description calling it the “dress of the decade.” The label’s end was bruising as well as symbolic, with reported tax and social security liabilities of £543,930 at the end of 2022.

AI-generated illustration
AI-generated illustration

That history makes this new chapter feel less like a restart than a reframing. Nick Cave has said his wife’s fashion work helped her give grief form after the death of their son Arthur, who died at 15 in 2015, and Weddings and Funerals extends that emotional logic into a new kind of ceremonial wardrobe. In a bridal market increasingly open to moodier, less literal expressions of romance, Cave is making a clear argument: the most compelling wedding dressing may be the kind that understands celebration and mourning as twin forms of ritual.

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