Pastels and Bold Red Define the 2026 Oscars Red Carpet Color Story
Felicity Jones' custom Prada column and Jessie Buckley's Chanel-meets-crimson shawl moment defined the 98th Oscars' surprising shift from metallics to powdery pastels.

The 98th Academy Awards red carpet rejected the safe sparkle that had defined the preceding awards season and arrived, instead, in powder and petal. "Color on the red carpet rarely happens in a vacuum," WWD observed in its March 15 trend piece. "It often reflects the mood of the moment and, right now, there is clearly an appetite for optimism." Pastels carried a sense of softness and hope, while flashes of crimson delivered confidence and a bit of drama.
This year's awards season started strong, with bright, bold colors saturating the red carpet at the Golden Globes. At the 2026 Oscars, however, stars took a different approach to red-carpet dressing. With spring just a few weeks away, mellow pastel shades became the palette of choice, and the fall 2026 collections gave stylists a great deal to draw from: at Chanel, Chloé, and Acne Studios, Easter-ready looks had already traveled down the runway.
Pastels set the tone early. Felicity Jones arrived in an ethereal soft yellow gown by Prada that felt almost weightless under the lights. The construction was precise: a custom pastel yellow Prada satin gown with a high neckline, a narrow column silhouette, and a pleated soleil tulle train. Kate Hudson offered another interpretation of the softer palette in a sea foam metallic green gown that added a glitzy edge to the otherwise delicate trend.
Chase Infiniti, a star of the Oscar-nominated One Battle After Another, wore a lilac ruffled number from Louis Vuitton. McKenna Grace channeled major '90s Gwyneth Paltrow energy in a pastel pink princess dress paired with a drop-diamond tennis necklace.
Then came the moment that connected the two color stories. Jessie Buckley stepped out in a romantic pastel pink gown by Chanel, styled with a crimson shawl, which also happened to introduce the other big color of the night. It was the evening's most strategic styling choice: one look doing the work of two, bridging the carpet's gentle opening act and the bolder statement that followed.

Red did not disappoint. Renate Reinsve leaned into sleek '90s minimalism in a striking gown by Louis Vuitton, while Li Jun Li brought sculptural drama in an asymmetrical silhouette with peplum detailing from Gaurav Gupta. Against the night's prevailing softness, both reads landed with real force.
Among the dependable black gowns and ivory moments, the standout was Emma Stone's minimal column by Louis Vuitton, described as one of the night's finest looks. The ivory cut was spare and confident, letting the silhouette carry everything.
The pastel impulse extended past the ceremony itself. Olivia Rodrigo made a dreamy statement at the Vanity Fair party following the 2026 Oscars, wearing a custom pastel pink Saint Laurent by Anthony Vaccarello mini dress. The strapless, bandeau-style dress featured a large bow at the waist and a feathered, bubble skirt, paired with matching pointed-toe pumps. Fans immediately connected the look to speculation about her next musical era, a reminder that on Oscar weekend, even after-party dressing carries narrative weight.
After a season saturated by metallics and safe sparkle, the night unfolded in a range of powdery pastels before gradually shifting toward the boldness of red — a color arc that felt less accidental than collective, as if Hollywood had quietly agreed that this particular moment called for both softness and nerve.
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