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All the fashion moments you might've missed this week

Ralph Lauren shot by David Sims, Margiela converting a Shanghai shipyard into a flea market, and First Nations fashion taking over Darwin: the week delivered.

Sofia Martinez4 min read
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All the fashion moments you might've missed this week
Source: russh.com
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Ralph Lauren's Spring 2026 campaign is a love letter to leisure

There is no brand that mythologises a certain kind of genteel athleticism quite like Ralph Lauren, and the Spring 2026 campaign makes that case with characteristic confidence. Shot by David Sims, the Spring 2026 campaign unfolds across three chapters: World of Speed, By the Sea and On the Green. It's an exercise in studied nostalgia — the kind of imagery that conjures linen-clad afternoons at the marina, long racquet shadows across clay courts, the particular hush of a sports car on an open road. The campaign pays homage to the timeless intersection of sport and style that has defined the brand for generations.

What makes this one worth tracking beyond the imagery is the scope of the live experience that follows. The campaign will be brought to life this June-July with activations across the globe including California, Sydney and Tokyo. That's a deliberate geography — three cities with distinct relationships to leisure culture and luxury spending — and it signals that Ralph Lauren is investing in experiential storytelling as much as the clothes themselves.

Maison Margiela transforms a Shanghai shipyard

If Ralph Lauren is the quiet confidence of old sport, Margiela is the deconstructed dream of fashion's avant-garde — and this week the House did something genuinely spectacular in China. Margiela's FW 2026 show in Shanghai brought together ready-to-wear and Artisanal collections. The fashion house took over a massive shipyard and turned it into "an after-hours Parisian flea market." The collision of heavy industrial infrastructure with the romance of a Parisian brocante is peak Margiela: reverent and irreverent in the same breath, obsessed with the beauty of things that have lived a life before.

The show isn't a standalone event — it's the opening move in something far more ambitious. The show kicks off the House's MaisonMargiela/folders activation, a 12-day activation featuring free public exhibitions across Shanghai, Beijing, Chengdu, and Shenzhen. Making the exhibitions free and spreading them across four cities is a meaningful gesture, pushing Margiela's world beyond the usual fashion-week gatekeeping and into something that feels genuinely public. For a house so often associated with insiderism, it's a welcome pivot.

Silk Laundry invites the world to photograph Sacred Earth

There's a particular kind of Australian brand that understands restraint as a philosophy, not just an aesthetic — and Silk Laundry is firmly in that category. The Australian label has announced the return of its global Art Prize for 2026, inviting emerging and established photographers to capture the natural world through this year's theme, Sacred Earth. It's a theme that lands with weight right now, when the conversation around land, sustainability, and visual storytelling feels more urgent than ever.

The prize is structured generously, giving participants time and a meaningful platform. Entries are open now through August, with monthly artist spotlights, a public exhibition in October, and the winner announced November 1. The monthly spotlights are a smart touch — they build momentum throughout the year and give finalists visibility long before a single winner is named. For photographers looking to merge their practice with fashion's expanding interest in environmental storytelling, this is worth knowing about.

Country to Couture doubles its nights in Darwin

The most exciting structural change in Australian fashion this week belongs to Country to Couture. For the very first time, Country to Couture will take place across two nights — 2 and 3 August 2026 — on the beautiful lands of Larrakia Country, at Charles Darwin University. An expansion from one night to two is more than a logistical upgrade; it's a recognition that the event, which centres First Nations Australian design, deserves a longer stage.

The full lineup includes LULUJARU, Jaymee-Lee Chaquebor, Marnin Studio, Corella & Crow and Bábbarra Women's Centre. These are names that deserve the same attention given to any international label showing this season — designers working with deep cultural knowledge, extraordinary textiles, and a vision for fashion that is rooted in country and community rather than trend cycles. Country to Couture remains one of the most important events on the Australian fashion calendar, and its expansion feels long overdue.

THE ICONIC brings 12 Korean beauty brands to Australia

The beauty edit this week belongs to THE ICONIC, which has quietly executed one of the more significant K-beauty launches in the Australian market. THE ICONIC is now home to 12 cult-favourite Korean beauty brands including Beauty of Joseon, COSRX, TIRTIR, Biodance, Medicube and more. These aren't obscure additions — several of them have amassed global cult followings built on genuine skincare efficacy rather than packaging alone.

The launch range features more than 300 products, including results-driven skincare lines, long-wearing cosmetics, and masking treatments. For Australian shoppers who have previously relied on importing or hunting through niche stockists, the consolidation of this many proven K-beauty labels in a single local platform represents a real shift in accessibility. The broader edit signals something about where THE ICONIC is positioning itself: not just as a fashion destination, but as a serious beauty retailer with range and editorial point of view to match.

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