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Amanda Wakeley brings SS26 capsule to John Lewis with polished workwear luxury

Amanda Wakeley’s first collection since 2021 lands at John Lewis, pushing polished tailoring into ten UK stores with prices from £175.

Mia Chen2 min read
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Amanda Wakeley brings SS26 capsule to John Lewis with polished workwear luxury
Source: theindustry.fashion
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The real move here is not the satin. It is the distribution. Amanda Wakeley has put her SS26 capsule into John Lewis, and that instantly shifts her brand of sharp, controlled womenswear from aspiration to actual wardrobe territory, with a 16-piece edit now live online and in ten UK stores.

This is Wakeley’s first fashion collection since she wound down her eponymous label in 2021 after 30 years in business, and the timing feels deliberate. Instead of chasing runway drama, she has mined her archive for a cleaner, easier version of her polished signature: drapey separates, wrap details, wide-leg cuts, fluid silhouettes and lace-trimmed dresses in rich greens, warm saffron, cool blues and print. It is occasionwear with the volume turned down and the sophistication left intact.

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The price point is the other big signal. The collection starts at £175 for silk-blend separates and tops out at £395 for silk-blend maxi dresses, which puts it in that sweet spot where premium tailoring starts to make sense as a weekly uniform buy, not a once-a-season splurge. The hero piece is the Air silk wrap shirt at £350, while a bias-cut satin and lace slip dress comes in at £395. Those are not impulse prices, but they are far more reachable than the usual designer-adjacent tailoring lane, especially for shoppers building a work wardrobe around one good shirt, one sharp dress and trousers that can handle a desk-to-dinner shift.

John Lewis knows exactly what it is buying. The department store said the partnership fits its strategy to elevate fashion with premium, design-led brands that bring commercial strength as well as taste. Wakeley, working with Radius Brands, said the collection was meant to open up her design DNA to a wider audience without losing quality or craftsmanship. Rachel Morgans, John Lewis’s fashion director, framed it as access to Wakeley’s tailoring and craftsmanship.

That matters because the collection is positioned less like a luxury label drop and more like a practical wardrobe system for women who want polish without stiffness. The silhouettes are soft, but not sloppy; the palette is elegant, but not precious. It is the kind of capsule that can make a blazer, a wrap shirt and a satin dress feel like daily tools instead of special-occasion armor.

WWD also reported that John Lewis has already confirmed late-summer and autumn drops, including cashmere and satin sweaters and archive pieces. If that follows through, this will read less like a one-off experiment and more like Wakeley quietly rebuilding her business in the most commercially sensible way possible: through pieces women can actually wear.

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