Hathaway and Streep Bring Power Dressing to Devil Wears Prada 2 Press Tour

The *Devil Wears Prada 2* press tour has been running since March 30, and Anne Hathaway and Meryl Streep have treated every city stop like a curated runway capsule, with stylists Erin Walsh and Micaela Erlanger coordinating a wardrobe that orbits a tight palette of red, white, and black — a direct visual echo of the film's own branding.

The tour opened at Frida Kahlo's home, La Casa Azul in Mexico City, where Streep arrived in a fiery all-red custom Dolce & Gabbana suit, featuring a satin bow tied around her neck. Erlanger's instinct was immediately clear: Miranda Priestly energy, no softening. Hathaway, for her part, turned heads in a fringe, cowboy-inspired Schiaparelli shirt paired with a matching pencil skirt, the all-black look punctuated by the brand's eye bijou belt. Later that evening at Museo Anahuacalli, where the screening included a runway show of archival pieces by renowned Mexican designers, Hathaway wore a sequined Stella McCartney mini dress with black boots.

In Tokyo, Hathaway appeared in Valentino, wearing a strapless gown with cascading ruffles first seen at Alessandro Michele's "Specula Mundi" show last February. Streep made an entrance in Chanel, opting for a fringed red suit first seen at Matthieu Blazy's New York show. The pairing reinforced the tour's unspoken rule: matched in intention, never in silhouette.

At the Seoul press conference, Streep wore a full-red Prada set cinched at the waist with a chocolate brown belt, a double-breasted blazer adding the kind of structured authority that reads as boardroom and runway simultaneously. Hathaway, meanwhile, opted for a Vaquera SS26 look: an off-shoulder corset top with oversized sleeves and a pair of black leather pants. It was a looser, more playful silhouette than anything Streep served, and Walsh has been working this contrast throughout the tour, positioning Hathaway as the one who bends the dress code while still owning the room.

For the Seoul red carpet that evening, Hathaway escalated. Dressed in a fiery red leather co-ord that felt straight out of the film's high-fashion universe, she walked onto a runway-style stage as pink confetti rained down. The look featured an oversized, fire-engine red Balenciaga jacket with a broad collar, paired with a matching midi skirt cut open with a dramatic front slit, finished with Bulgari jewellery and black heeled pumps. Streep anchored the moment in Celine, the black caped pantsuit doing exactly what great tailoring is supposed to do: require no explanation.

The film's premiere is set for May 1, 2026, which means more cities, more looks, and more proof that the most disciplined power dressing happening right now is not in any office — it's on a press tour.

Here is the formatted final article:

SUMMARY: Streep opened the tour in a custom D&G red suit at Mexico City's Casa Azul; by Seoul she's in custom Prada while Hathaway works Vaquera leather.

CONTENT:

The *Devil Wears Prada 2* press tour has been running since March 30, and Anne Hathaway and Meryl Streep have treated every city stop like a curated runway capsule, with stylists Erin Walsh and Micaela Erlanger coordinating a wardrobe that orbits a tight palette of red, white, and black — a direct visual echo of the film's own branding.

The tour opened at Frida Kahlo's home, La Casa Azul in Mexico City, where Streep arrived in a fiery all-red custom Dolce & Gabbana suit, featuring a satin bow tied around her neck. Erlanger's instinct was immediately clear: Miranda Priestly energy, no softening. Hathaway turned heads in a fringe, cowboy-inspired Schiaparelli shirt paired with a matching pencil skirt. That evening at Museo Anahuacalli, where the screening included a runway show of archival pieces by renowned Mexican designers, Hathaway wore a sequined Stella McCartney mini dress with black boots.

In Tokyo, Hathaway appeared in Valentino, wearing a strapless gown with cascading ruffles first seen at Alessandro Michele's "Specula Mundi" show last February, while Streep made an entrance in Chanel, opting for a fringed red suit first seen at Matthieu Blazy's New York show. The pairing reinforced the tour's unspoken rule: matched in intention, never in silhouette.

At the Seoul press conference on April 8, Streep wore a full-red Prada set cinched at the waist with a chocolate brown belt. The double-breasted blazer added the kind of structured authority that reads as boardroom and runway at the same time. Hathaway opted for a Vaquera SS26 look: an off-shoulder corset top with oversized sleeves and a pair of black leather pants. It was a looser, more playful silhouette than anything Streep served, and Walsh has been working this contrast throughout the tour, positioning Hathaway as the one who bends the dress code while still owning the room.

For the Seoul red carpet that evening, Hathaway escalated. Dressed in a fiery red leather co-ord, she walked onto a runway-style stage as pink confetti rained down, the look featuring an oversized fire-engine red Balenciaga jacket with a broad collar, paired with a matching midi skirt cut open with a dramatic front slit, finished with Bulgari jewellery and black heeled pumps. Streep anchored the moment in Celine, the black caped pantsuit doing exactly what great tailoring is supposed to do: require no explanation.

The film's premiere is set for May 1, 2026, which means more cities, more looks, and more proof that the most disciplined power dressing happening right now is not in any office — it's on a press tour.