Chirurginski Drops 48-Minute Easter Mix Built From Eight Unreleased Tracks
Chirurginski spent 100 days building a 48-minute Easter mix from eight unreleased tracks, each scheduled for staggered solo release every two weeks.

Chirurginski uploaded "HIGH TECH MINIMAL EASTER MIX 2026" to SoundCloud on March 29, clocking in at approximately 48 minutes and drawing entirely from eight tracks that have not been released anywhere yet. The mix doubles as a structured release schedule: every two weeks, one of those eight tracks will drop individually, giving the project a rolling momentum that extends well beyond Easter weekend.
The artist described the mix as the product of roughly 100 days of work. "Releasing this set has been a long and demanding journey that took me +-100 days," Chirurginski wrote in the SoundCloud description. That timeline sits at the opposite end of the spectrum from where a lot of production discourse has drifted lately, and he addressed it directly: "Today, when AI can generate a track in seconds, fewer people respect the time and effort behind real production. That's fine. The process is what keeps me going." He closed with a note aimed squarely at the underground: "Respect to everyone still doing it the hard way. Stay focused, stay independent, and keep the underground alive."
The eight tracks span a wide tonal range, and Chirurginski annotated each one in the description. KINETIC leads with groove and builds to a melodic climax. THUNDER is described as trance-like and hypnotic, while DISTORTION goes heavy with dark, distorted bass. FARAWAY pushes the tempo with a journey vibe, and MATTHIOLA takes a different turn with a positive piano melody. SSJ2 is tagged as dark with vocals. TAM TAMS offers warm atmosphere, and WARM BREEZE rounds out the eight with a summer-inflected vocal track.
For selectors working in minimal and underground techno spaces, those descriptors are genuinely useful shorthand. The breadth of moods suggests Chirurginski was thinking about how DJs would actually deploy this material, not just sequencing an EP. MATTHIOLA reads like a tool for peak-time relief; THUNDER and DISTORTION have floor-clearing utility written into their descriptions.
The staggered rollout makes practical sense from a collector standpoint. The mix is streamable now, letting DJs assess the full arc before individual high-resolution releases start appearing. With eight tracks releasing every two weeks, the schedule runs deep into summer, giving each piece room to circulate before the next one lands.
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