Jean Pierre and Casas’ Powah EP climbs charts with DJ support

Jean Pierre and Casas have turned Powah into a compact club weapon, with Pitch Records’ PTC038 moving fast through the Minimal / Deep Tech lane after its March 13 release. The three-track EP runs 17:37 and stays locked on the floor: Powah comes in at 5:59 and 130 BPM, while Pressure and The Finale both hit 132 BPM. That shape gives selectors a clean arc, from an opener that eases into the room to two cuts built for sustained drive.

The collaboration matters because the record feels made through division of labor rather than simple co-signing. Jean Pierre gives Powah its forward pressure, the kind that keeps a room moving without crowding the low end, while Casas brings the clipped arrangement sense that leaves space around the groove. Together, they work inside a minimal frame that values restraint, repetition and precision over busy hooks. Each track lands with enough detail to stay interesting, but not so much that it gets in the way of a long blend.

That balance is already translating into movement. Beatport has the release filed in Minimal / Deep Tech, and Pressure has shown up on Best New Minimal / Deep charting and DJ chart lists. Marco Carola played the music during his Space set at Miami Music Week, and Franky Rizardo gave it a spin on Flow Radio. In this part of the scene, those placements matter because they move a record from a download page into real-world rotation, where the proof is whether it survives a peak-time set or a late-night drift.

The EP’s spread across Beatport, Traxsource, Deezer and SoundCloud shows Pitch Records pushing it broadly, not just as a niche upload but as a working release for DJs who still build nights from tested tools. Powah, Pressure and The Finale all sit in that sweet spot between functional dancefloor pressure and tight, minimal arrangement choices, and that is why the record is climbing: it sounds useful in the booth before it sounds impressive anywhere else.