K Loveski's Sever 113 Mix Tracklist Surfaces With Full Label and Timestamp Details

The complete tracklist for K Loveski's Sever 113 mix has been documented with full timestamps, label credits, and track ordering, giving selectors a clean map of the Saint Petersburg DJ's March 25 set.

The 10-track sequence pulls from the deep and minimal-adjacent end of the progressive spectrum, with the Gux Jimenez remix of Hobin Rude's "Phantom Flora," catalogued on LuPS Records (LUPSREC461), among the highlighted selections. That particular record has been gaining tracklist appearances across the progressive circuit in recent weeks, turning up in sets by Pierre Sebastiano and Jacco@Work as well. Gux Jimenez, a Buenos Aires-based producer closely associated with the LuPS stable, has built a pattern of remix placements across the deeper end of the genre, and this remix's inclusion in Sever 113 adds to that momentum.

The set also draws on material rooted in the Solis and Edge catalogues, alongside a Sinkix track carrying a K Loveski remix credit, which marks one of his own productions appearing within his own set sequence, a structural choice that blurs the line between curation and catalogue promotion. A Guy J Selector pick also features in the tracklist, anchoring the mix in the kind of long-game minimal programming that has defined K Loveski's Sever episodes throughout the series.

K Loveski, born in Saint Petersburg and active in electronic music since 1992, has built the Sever series into a reliable document of where his selections are sitting at any given month. Reaching its 113th installment, the series moves at roughly a monthly cadence, with recent episodes including material from Magnitude, Univack, and The Soundgarden alongside smaller imprints gaining traction on the progressive circuit. His Beatport catalogue includes releases on Lowbit, Balance Music, Stellar Fountain, and BCSA, among others, giving him a production perspective that tends to show up in how he sequences a mix: specific transitions, track weights that build without rushing, and remixers chosen for texture over peak.

Where ID slots appear in the tracklist, the documentation notes them clearly rather than leaving gaps, which is standard practice for recorded sets carrying unreleased or uncleared material. The timestamps for each of the 10 tracks mean that anyone sourcing records from the session can locate specific transitions and identify the entry and exit points K Loveski used, practical information for DJs working similar tempos or programming logic.

For producers watching where their material lands, Sever 113 confirms LuPS Records, Solis, and Edge as labels currently getting play in this corner of the circuit. For selectors trying to trace the sequence, the full timestamped listing removes the guesswork.