KREY MONI Drops Shots EP on Innocent Music for Late-Night Dance Floors

Three tracks. One tempo. No filler.

KREY MONI dropped the *Shots* EP on Innocent Music on March 19, landing at catalog number IML160 and going straight for the jugular of the late-night minimal and deep-tech floor. The three-cut release lands in MP3, FLAC, and AIFF, with all three tracks locked at 130 BPM.

The tracklist runs "Shots," "Like Da," and "Tch Ngt," each presented as an original mix. That kind of abbreviated, phonetic titling is a deliberate signal, the kind of shorthand that communicates fluency in a genre where restraint is the whole point.

Innocent Music is a record label owned by Aney F., based in Ljubljana, Slovenia, established in 2012, operating across house music in all its genres. Over 160 catalog entries deep, the imprint has built its identity on exactly this type of tightly sequenced, DJ-functional output, with the label operating both as a record label and event management outfit out of Ljubljana. KREY MONI's EP fits squarely within that framework: three tools, one consistent groove pocket, purpose-built for after-midnight programming.

At 130 BPM across all three cuts, the *Shots* EP sits in the sweet spot where minimal and deep tech overlap, fast enough to drive a floor forward, slow enough to let the groove breathe and the tension build. For DJs building that fourth-hour set where energy management matters more than energy escalation, that consistency across an entire EP is a practical asset, not just an aesthetic choice.

IML160 marks another entry in what has become a reliable minimal and deep-tech pipeline from the Slovenian label, and for KREY MONI, the Innocent Music home is a well-matched one.