WOST’s Primal Motion EP sharpens Beatport Next momentum on LOVE IN THE ENDZ

WOST’s Primal Motion landed as more than another Beatport Next checkbox. The seven-track EP arrived with the kind of dancefloor weight that gives minimal heads something to hold onto: a tough kick, a locked groove, and low-end pressure that leaves room for every percussive flicker to hit. On LOVE IN THE ENDZ, the Venezuelan producer turned his Beatport Next Class momentum into a release that felt built for systems, not slogans.

WOST, whose legal name is Kelvin Becerra, has been described by Resident Advisor as a Venezuelan DJ and producer based in Medellín, working across latin American club music, global bass, and electronic styles. That cross-current is all over Primal Motion, but the point is not genre-hopping for its own sake. The EP makes those influences feel like one personal language, especially on the title track and on Yamal, where heavy percussion, snapping snares, and uneasy synth stabs keep the pressure high without crowding the mix. PUSSY DUB pushes even harder into a gruff, grimey edge while keeping the Latin club pulse intact.

The release also sharpened the story around WOST’s current run. Bandcamp shows that Primal Motion followed Tribalista, his March 27, 2026 appearance on TraTraTrax with 1OO1O, by less than two months. That timing matters because it shows WOST moving fast while still tightening his identity, not scattering it. Beatport’s Beatport Next program, which launched in 2021, named 12 emerging artists in its 2026 class, and WOST’s new EP makes clear how that support can translate into a real-world club record with purpose.

LOVE IN THE ENDZ fits that profile well. Beatport describes it as a London-based, multidisciplinary label that grew out of Reprezent Radio in Brixton, and Resident Advisor says it was established in 2021. The label’s reach and community-first identity suit a release that moves through dub tech, guaracha, techno, electro, and hard house without losing its center. Bandcamp lists three originals and four remixes, from RIZLA OPS, T.A.M, Ananda, and BZZHOUND & Cardozo, which turns the EP into a flexible toolset for different floors rather than a sealed statement.

That is what makes Primal Motion stand out in this lane. It is not a generic crossover release, and it is not content to sit on the idea of momentum. It takes Beatport Next recognition, a Venezuela-to-Medellín perspective, and a London label built from Brixton community energy, then locks them into a record that sounds ready to move speakers from the first drop.