Laowa Unveils Four New Cine Lenses, Including Macro Probe Zooms and Tilt-Shift Options
Laowa's 15–35mm T12 Macro Probe Zoom claims the title of world's widest macro probe lens, starting at $3,499 with a 110.5° field of view.

Venus Optics dropped four cine-oriented lenses in mid-March 2026: the Laowa 15–24mm T8 Macro Probe Zoom, the 15–35mm T12 Macro Probe Zoom, the 17mm f/4 Zero-D Tilt-Shift, and the 17mm f/4 Zero-D Shift. The probe zooms are available now, starting at $3,499 for the lens with the direct view module, while the 17mm Zero-D pair covers full-frame mirrorless and medium-format cameras.
The two probe zooms share a 15mm wide end that produces a 110.5-degree angle of view, a 14-inch waterproof tubular barrel, and a parfocal design that keeps focus locked while zooming. Where they diverge is speed versus range: the 15–24mm T8 prioritizes light-gathering, while the 15–35mm T12 trades a stop and a half for a 2.3x zoom range that Venus Optics claims makes it the world's widest macro probe lens with the most expansive zoom range on the market. Both lenses recently received honors from Cine Gear and the Technical Image Press Association, according to American Cinematographer.
Four interchangeable modules, sold separately or bundled with the lens, determine the shooting angle: Direct, 35-degree, 90-degree, and Periscope. Independent front rotation adds another axis of creative control, letting filmmakers orient the tip once it's inside a confined space. The default mount is ARRI PL, with optional Canon EF, Canon RF, Nikon Z, Sony E, and L-mount bayonets available for purchase. Cinematographers working on Super 35 cameras can add Laowa's 0.7x Focal Reducer, which compresses the 15–24mm T8 to an effective 11–17mm T5.6 and the 15–35mm T12 to an 11–25mm T8.4, each gaining a full stop of brightness. Venus Optics also sells the lenses in two-, four-, and eight-lens bundle kits.
Laowa has been making probe lenses for nearly a decade, and the format's appeal comes from a combination of characteristics no standard macro lens can replicate: the long tubular body reaches into tight spaces, the waterproof construction survives immersion, and pairing a macro working distance with a 110-degree field of view produces the kind of exaggerated perspective and depth that has become a signature look in commercial and documentary filmmaking.
The 17mm Zero-D pair operates on different creative logic entirely. Both lenses open to f/4 and share a 104-degree angle of view, a 360-degree rotation mechanism, a 9.8-inch close-focusing distance, and 14 aperture blades. The tilt-shift version offers ±12mm of shift travel; the shift-only version provides ±11mm. The Zero-D optical design is built to eliminate distortion and the keystone effect that plagues conventional wide-angle lenses at extreme shift positions. Although primarily designed for full-frame mirrorless systems, the image circle is large enough to cover medium-format sensors with ±8mm of shift capability. The tilt function on the tilt-shift version gives photographers direct control over the plane of focus, enabling both selective-focus portraiture and the miniaturizing effect that makes architectural subjects look like scale models.
All four lenses are available through Laowa's website and authorized retailers, with the probe zooms also listed on B&H.
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