Light Lens Lab revives Dallmeyer Super Six look in new 50mm lens
Light Lens Lab turned the Dallmeyer Super Six formula into a Leica M 50mm f/1.9 with modern handling, $799 pricing, and a low-contrast option.

Light Lens Lab has brought the Dallmeyer Super Six look back in a Leica M-mount 50mm f/1.9, and it did not stop at nostalgia. The new Rigid-ZS6 keeps the classic double-Gaussian 6-element, 4-group recipe, but Light Lens Lab says it tuned the lens to preserve the Super-Six’s expressive bokeh and classical color signature while improving center sharpness for modern digital sensors. Ordering opened May 4, with shipment set to begin May 31.
The lens sits on the company’s existing 50mm f/2 Rigid mechanical platform, which gives it a familiar, practical build rather than a fragile collector-piece feel. Light Lens Lab lists a 0.7m minimum focus distance, an aperture range from f/1.9 to f/22, an E39 filter thread, an A42 clip-on hood, and a quick-change bayonet for Leica M mount. It weighs about 263g without accessories, and the brass chrome version is priced at $799 in the United States, excluding taxes and duties.

Light Lens Lab has also added a low-contrast version for shooters who want even more of that vintage rendering. The company says the low-contrast model is marked with an asterisk on the front ring, and the product page says that version was added in response to community feedback. That matters because this lens is being pitched as a character optic, not a clinical tool: the whole point is to keep the glow, contrast behavior and signature color response that make old lenses feel alive, while making the files easier to work with on digital bodies.

The Super Six reference goes well beyond styling. John Henry Dallmeyer’s original 50mm f/1.9 Super Six is remembered as a rare, collectible optic, especially in Leica screw-mount form, and the design’s speed and shallow depth of field helped define its reputation. Light Lens Lab, founded in 2018 by Mr. Zhou in Shangrao, China, has built its niche around that kind of optical revival, and the Rigid-ZS6 fits squarely into that strategy.

The company’s growing Rigid family already includes the 50mm f/2 Rigid and 50mm f/2 Rigid-SPII, with a 50mm f/1.9 S5 and a 50mm f/2 Apochromat still in development. Taken together, that lineup makes the new Rigid-ZS6 look less like a one-off retro exercise and more like a sustained bet that photographers still want lenses with personality, controlled imperfections and a rendering signature they can recognize before they even inspect the EXIF.
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