Thypoch Unveils 24-50mm F2.8 Autofocus Zoom for Full-Frame Sony Shooters
Thypoch's first-ever autofocus and zoom lens fires directly at Sony's $1,298 FE 24-50mm f/2.8 G, but price and ship date remain unannounced.

A company that has never shipped an autofocus lens or a zoom lens just announced both at once. Thypoch, known for classically-inspired manual-focus primes like the Simera 28mm f/1.4 and Eureka 50mm f/2, formally unveiled a 24-50mm f/2.8 AF zoom for Sony E-mount on March 31, 2026, declaring it the first Chinese-made full-frame constant-aperture autofocus zoom to reach this focal range.
The lens had not been a complete surprise. At The Photography & Video Show 2026 in Birmingham, UK, the company showed a working prototype to Sony E-mount shooters, marking its entry into autofocus and zoom design simultaneously; Digital Camera World's team spotted and briefly tested the lens at the show, which ran March 14 to 17. Despite its plastic construction, the lens felt solid in hand, and Thypoch opted for a modern, slick aesthetic that draws visual comparisons to the Samyang 24-60mm f/2.8 rather than to the company's own vintage-styled primes.
The commercial target is conspicuous: Sony's FE 24-50mm f/2.8 G, priced at $1,298, measures 92.3mm long and weighs 440 grams. By trimming the telephoto end from 70mm to 50mm, Thypoch has room to undercut Sony on size, weight, and presumably price. For wedding and event photographers who rarely need focal lengths beyond 50mm, and for travel and street shooters who want constant f/2.8 in a compact package, the value case writes itself, assuming the optics hold up.
The barrel carries an aperture ring and an AF/MF switch, a practical layout for hybrid shooters moving between video and stills without diving into menus. Thypoch built its reputation on premium manual-focus primes across its Simera, Eureka, and Ksana lines for Leica M and Nikon Z mounts. The 24-50mm F2.8 is architecturally different from all of them.

What is missing is everything buyers actually need to make a decision. No official release date or price has been confirmed, and the lens will compete not only against the Sony FE 24-50mm f/2.8 G but also the Samyang 24-60mm f/2.8. Real-world AF tracking, corner sharpness wide open, distortion correction behavior, and minimum focus distance are all still uncharted. B&H Photo has previously stocked Thypoch products, so a listing there will be an early signal of both ship date and MSRP.
The Samyang comparison is worth watching closely. Where Samyang extends to 60mm, Thypoch stops at 50mm; how that tradeoff translates into body size, weight, and price will define whether this lens earns a place in the conversation or simply confirms how difficult it is to unseat an established competitor with a first-generation AF product.
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