Pupa Lëk Sèn’s Jèem marks seventh album, deep roots reggae milestone
Jèem pushes Pupa Lëk Sèn’s Senegalese roots reggae deeper into the spotlight, with ten tracks, Wolof language, and a dense, political edge.

Pupa Lëk Sèn widened reggae’s map again with Jèem, his seventh album, a ten-track set that landed on April 24, 2026 and puts Senegalese roots traditions front and center. The title means “try” in Wolof, and that choice gives the record both a personal charge and a clear linguistic identity. Built around roots reggae, African sounds and message music, the album carries a strong sense of purpose: not just songs for the selector, but a full statement shaped by memory, tension and resolve.
The writing on Jèem moves with range. Natty Fly opens in a relaxed roots pocket, Net Bi turns more acoustic while taking on the pull of social media on young people, and the title track Jèem digs into deep roots energy with a strong vocal presence. Shine calls back to the feel of The Wailing Souls and maybe Steel Pulse, while Thiossane leans toward a Tiken Jah Fakoly groove. Ki Kan La, meanwhile, brings to mind Police in Helicopter. Those touchpoints place Pupa Lëk Sèn firmly in the global roots lineage without blurring the Senegalese identity that drives the record.
The album also comes with serious musical backing. Vi-Avelino, Laurent Pena Vieira, Valess Assouan, Ras Jumbo, Christophe Laxenaire, Dave Kynner and young Ivorian guitarist Xavier Lassire all contribute to the sound, while guest spots from Jhonel, Elom 20ce and Ilam widen the reach even further. The project was recorded with an ensemble largely made up of veteran reggae musicians in France and mixed by a two-time Grammy-winning engineer known for work with Angélique Kidjo, a combination that gives the record polish without sanding off its edge.
The release fits a career that has long tied Senegalese identity to classic reggae pressure. Born in Ngor, a fishing village in Senegal, Lëk Sèn came up through rap with SSK before moving to Paris as his solo path opened. His first solo album, Burn, arrived in 2010 on Makasound, and Rebel Blues later reached the soundtrack of Safe House. By 2022, his catalog already stood at seven albums and five EPs, issued through his independent label Jahsen Creation. A live SessionLive set on April 12 previewed that momentum with performances of Net Bi, Natty Fly and Soul Shine, backed by Laurent Pena Vieira, Johan Blanchart, Xavier Lassire and Julien Calcado.
The album cover, designed once again by Elips, marks the sixth collaboration between artist and designer, reinforcing a visual identity that has grown alongside the music. Jèem lands as more than a milestone count; it is another hard, thoughtful argument for reggae’s center of gravity shifting south and east, where Senegalese voices are carrying roots music into new territory.
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