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Christopher Nolan’s The Odyssey set as Universal’s next IMAX tentpole

Universal is betting on Christopher Nolan’s The Odyssey, an IMAX release built to follow Oppenheimer’s near-$1 billion run and seven-Oscar sweep.

Lisa Park··2 min read
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Christopher Nolan’s The Odyssey set as Universal’s next IMAX tentpole
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Universal Pictures is setting Christopher Nolan’s The Odyssey for an IMAX launch on July 17, 2026, making it the studio’s next large-format centerpiece. The move extends a pattern Nolan sharpened with Oppenheimer, a film that turned awards-season prestige into a global commercial event.

That earlier film gave Universal a rare crossover hit. Oppenheimer won Best Picture and Best Director at the 96th Academy Awards on March 10, 2024, and Universal says the film earned nearly $1 billion at the global box office. The combination confirmed Nolan as one of the few contemporary directors who can make a serious, hours-long historical drama play like a must-see opening-weekend release.

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AI-generated illustration

The Odyssey is being framed in the same terms, only with even more emphasis on scale. Matt Damon is starring as Odysseus, and Universal previewed a Trojan Horse sequence at CinemaCon, signaling a production built around big-format spectacle. Nolan himself called the shoot a “nightmare to film,” a line that fits the project’s mythic ambitions and the studio’s decision to position it as a major theatrical event rather than a conventional star vehicle.

Tom Holland has added to the sense of anticipation by describing the film as the “job of a lifetime.” Universal has also reportedly skipped influencer screenings ahead of release, a sign the studio is treating the rollout as tightly managed and guarding the film’s first impression. In an era when studios increasingly rely on short-form hype and social media preview culture, that approach suggests Universal still sees Nolan’s films as rare occasions that can draw audiences on the strength of scale, secrecy and director-driven trust.

For Hollywood, the larger story is not just that Nolan is returning to IMAX. It is that he has become the clearest example of a filmmaker who can move between art-house seriousness and blockbuster reach without losing either audience. Oppenheimer supplied the proof, with seven Academy Award wins and near-billion-dollar global grosses; The Odyssey is now the next test of whether that same formula can be repeated on a mythic scale.

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