Key West High senior stages student-driven play Out of the Blue
A Key West High senior wrote and directed Out of the Blue, showcasing student leadership in theater and highlighting the school’s role in arts education.

Lillian Andrew, a senior at Key West High School, led a student-driven production of the play Out of the Blue, serving as the writer, director and stage manager for performances held January 16–17. The two-night run featured a student cast and crew who handled sound, costumes and props, and rehearsal photos documented the production process.
The production placed student leadership at the center of the school’s theater program, with Lillian coordinating creative and technical work behind the scenes as well as shaping the play’s narrative. Students assigned to technical roles carried out sound design, costume coordination and prop management, and rehearsals emphasized hands-on, collaborative practice across disciplines. Those elements underscored the program’s capacity to provide practical theater experience within the high school setting.
Lillian’s plans to study stage management at the Royal Central School of Speech and Drama in London link this local project to a broader educational trajectory. Her pathway from a student-led high school production to a recognized international conservatory illustrates how secondary school programs can function as pipelines to professional training and careers in the arts.
The production’s community impact extended beyond opening night. Local audiences saw a display of peer-driven creativity and practical skill development, while rehearsal documentation offered community members a window into the work that precedes a public performance. For a city that markets itself on cultural vibrancy, the staging reinforced the value of supporting student arts as both civic engagement and workforce preparation.

The production also raises questions about resourcing and program capacity. Student-led shows require faculty oversight, access to rehearsal space and technical equipment, and continuity from year to year to sustain experiential learning. As schools and districts face competing budget priorities, the outcomes of this production will likely inform local conversations about how the district allocates support for extracurricular arts, how it documents student achievement, and how it connects high school programs to postsecondary opportunities.
Out of the Blue demonstrated what student initiative can produce when combined with school infrastructure and community attendance. For residents interested in local arts and education, the show is a tangible example of students translating classroom and extracurricular commitments into concrete college and career prospects. The coming school year will reveal whether this level of student-led production becomes a recurring feature of the high school calendar and how the district responds to demand for expanded arts learning pathways.
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