Richie Stephens Releases Studio Cover of Jimmy Cliff’s Trapped After Memorial Performance
Richie Stephens released a studio cover of Jimmy Cliff's "Trapped" after a memorial performance, offering a heartfelt tribute to help preserve Cliff's legacy for new listeners.

Richie Stephens has issued a studio cover of Jimmy Cliff's "Trapped" following an emotionally charged performance at an official memorial celebration for the late legend. The single, recorded for Stephens' Pot Of Gold Production label and distributed via VPAL, was released to digital platforms to reach both local and international listeners.
Stephens first voiced the song spontaneously at a December tribute to Jimmy Cliff, and the strong reaction from the crowd propelled him to bring the moment into the studio. The new recording keeps close to the spirit of Cliff's original 1972 version while filtering the arrangement through Stephens' seasoned vocal delivery. That balance of respect and reinterpretation positions the single as both homage and a living document for listeners who may have first encountered the song through later high-profile covers.
Production and distribution choices matter for community reach. Pot Of Gold Production handled the studio work and VPAL's distribution places the single on major streaming and download platforms, making it accessible to selectors, sound systems, radio programmers, and younger fans discovering reggae through playlists. For veteran collectors and DJs, Stephens' rendition offers a fresh studio-quality track to slot into sets that aim to bridge roots-era reverence with contemporary dancehall and lovers rock moments.
Context gives the release added weight. "Trapped" sits in Jimmy Cliff's early 1970s catalog and has circulated widely through cover versions and cinematic placements over the years. Stephens' decision to record the song now follows the ritual of tribute that reggae communities have long used to keep artists' work in circulation - live performance, immediate audience response, and then a recorded version that cements the moment for broader audiences.

The single serves practical purposes for the reggae community. It supplies new material for sound systems and parties, it can be used in radio tribute programming, and it helps educators and promoters point new listeners toward Cliff's original work. By framing the recording as a personal homage intended to preserve Cliff's legacy for a new generation, Stephens is participating in the continuity that keeps roots music relevant.
For readers tracking the ripple effects, the release is part of the larger cultural response to Jimmy Cliff's passing and signals how contemporary artists are translating grief into preservation. Expect the cover to appear in tribute sets and streaming rotations as selectors and younger fans integrate Stephens' take into their playlists, ensuring the one-drop heartbeat of "Trapped" keeps pulsing through reggae communities.
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