Sgt. Remo Drops De Texas A Bogota, Cumbia-Reggae Fusion Album

Sgt. Remo dropped De Texas A Bogota as a digital release on January 16, 2026 through King Remo Music, delivering a clear nod toward cross-cultural roots and a focused cumbia-reggae fusion that mines both dancefloor energy and rootsy warmth. The collection arrives with several guest vocalists and is available to stream, giving selectors and reggae playlists fresh material that bridges Latin American rhythms with reggae sensibilities.

The eight-track album opens with Cumbia Sabrosita featuring Ras Levy, setting the tone by foregrounding cumbia rhythms alongside reggae phrasing. Cumbia Galactica follows as an instrumental or rhythm-forward cut that leans into the project’s title and sonic blend. Tracks such as She Whine All The Time and La Numero 1 keep the emphasis on dancehall-inflected grooves while retaining a roots-minded production palette. Time Don't Stop again features Ras Levy, and Luchar Para Sobrevivir brings a socially conscious thread consistent with roots reggae traditions. Gimme The Roots adds vocal contrast with Alma De Léon joining Ras Levy, and the closer Give Thanks To Jah In This Time features Oscar Simeon and Ras Levy, reinforcing the album’s spiritual anchor.

Sgt. Remo’s approach matters because it extends a long-running conversation between Caribbean and Latin American popular musics, giving reggae community players new hybrid cuts to test in sets and radio shows. DJs and sound systems looking to diversify their crates will find material that sits comfortably between cumbia’s forward pulse and reggae’s offbeat skank. For venues and festivals that program Latinx and reggae lineups, these tracks offer dancefloor-ready options that speak to bilingual and cross-cultural crowds.

For collectors and playlist curators, De Texas A Bogota functions as both a thematic statement and a practical source of tracks to mix into summer and carnival-season rotations. The presence of multiple guest vocalists broadens the record’s appeal across scenes and networks, while the roots elements preserve reggae’s message-driven core. The album’s digital availability makes it easy to audition and add to sets immediately.

What comes next is simple: add the standout cuts to your rotation, watch for live dates or remixes that often follow cross-cultural releases, and follow how selectors respond on sound systems and streaming charts. De Texas A Bogota positions Sgt. Remo as a connector between scenes, and that kind of fusion keeps both dancefloors and roots conversations lively.