Carhartt WIP's SS26 Drop Bridges Jobsite Utility and City Dressing
Carhartt WIP's second SS26 delivery adds a laser-printed snake camo motif and 1950s denim engineering to its Belmar jacket and Belmont pant.

The Belmar jacket and Belmont pant anchor Carhartt WIP's second Spring/Summer 2026 delivery, a collection that takes 1950s denim engineering and sets it loose on a wardrobe built for commuters, not construction sites.
Both pieces draw from mid-century workwear specs with an exactness that goes beyond surface nostalgia. The Belmar jacket is cut from heavyweight, unlined cotton denim and finished with a back buckle, stitched pleats, donut shank buttons, and metal rivets at vital stress points, a Type 2 construction that reads archival on the hanger and contemporary on the body. The Belmont pant carries the same precision: a tool pocket and hammer loop sit alongside a 50s-inspired back cinch adjuster, a tailored detail that quietly reshapes the silhouette without softening its utilitarian DNA.
That tension between jobsite and city is the organizing principle of the whole drop. Carhartt WIP pairs the raw denim and hickory-striped outerwear with softer overdyed jersey in gentle purple, blue, and green, a palette that earns its keep in transitional weather when layers are necessary but the outfit still needs to read as intentional. Boxy collared shirts in denim and poplin fill the gap between the heaviest and lightest pieces, giving the layering story a middle register that a cotton crewneck simply cannot.

The new snake camo motif, laser-printed across both apparel and accessories, is where the drop earns its graphic edge. Carhartt WIP describes the print as moving "beyond the earth-tone abstractions typically found in traditional camouflage," taking on a "more serpentine nature" that winds through the collection in multiple colorways. It appears as a tonal all-over on the Belmar jacket in black stone-washed denim and pushes louder on accessories, giving the drop genuine range without fragmenting its identity.
The campaign was shot by Eduardo Gonçalves, a Portuguese filmmaker and photographer, across Lisbon from a balmy afternoon into night. The timing is deliberate: the visuals are built around transitional dressing, wearing the same jacket from a market stall to a bar, which is precisely the real-world condition the clothes are engineered to handle. The delivery is available now through select global retailers and the Carhartt WIP app and stores.
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