The Devil Wears Prada 2 premiere shines with Bulgari diamonds and star jewelry

**The Devil Wears Prada 2 premiere did more than sell a movie. It staged a clear jewelry brief for the next year of dressing: colored stones framed by diamonds, sculptural earrings with real presence, and high-impact pieces that still read as wearable when the cameras stop rolling.** The sequel was first publicly set up in July 2024, and now its rollout has become a full fashion event, with the world premiere at Lincoln Center in New York City on April 20 livestreamed on Disney+ and Hulu, and the film set to open exclusively in theaters on May 1. David Frankel returns to direct, Aline Brosh McKenna returns to write, and the original core cast, including Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci, is back in a film produced by Wendy Finerman and executive produced by Michael Bederman, Karen Rosenfelt and McKenna.

The premiere's most useful lesson is that diamond jewelry is not being shown as a neutral accessory anymore. It is being treated as costume punctuation. Anne Hathaway's custom red Louis Vuitton strapless dress was finished with Bulgari rubellite and diamond earrings and a Serpenti diamond bracelet in pink gold with mother-of-pearl, a combination that feels especially relevant for readers who want one strong focal point rather than a fully matched suite. The mix of warm pink gold, saturated red stone and bright diamonds is exactly the kind of palette that works for bridal dressing in color, for winter black tie, and for holiday parties where white metal alone can feel too cold.

What makes this look commercially interesting is its range. The press tour has already moved through New York, Mexico City and Shanghai, with jewelry by Fope, Jacob & Co., Cindy Chao/The Art Jewel, Fred Leighton and kWIT appearing along the way. That spread matters because it maps the trend from classic gold construction to more artistic, collector-minded stones, which is where the market is headed for shoppers who want something more individual than a standard diamond solitaire or tennis bracelet. The trailer suggests there will be even more designer jewelry on screen, which means the jewelry story will keep building after the premiere.

Bridal dressing is moving toward color, not conformity

For brides, the clearest cue is Hathaway's red-carpet pairing of colored stones and diamonds. Rubellite, with its rich pink-red intensity, gives diamond jewelry warmth and personality, while pink gold and mother-of-pearl soften the edge so the look feels elegant rather than severe. That is a useful formula for anyone choosing a wedding-day earring or bracelet: if the gown is minimalist, the jewelry can carry the color; if the dress is ornate, a single colored-stone-and-diamond piece keeps the look polished instead of overbuilt.

This also explains why the market for diamond earrings remains so resilient. They frame the face without fighting a neckline, and they can move from ceremony to dinner with ease. In real life, that makes them a smarter bridal purchase than a highly specialized statement necklace, especially if the goal is to own something that will still feel right for anniversaries and formal events after the wedding.

Evening jewelry is getting bigger, but not louder

The film's on-set jewelry tells a second story: scale is back, but it is being handled with discipline. WWD tracked pieces including Jemma Wynne's emerald-cut diamond toggle pendant necklace, retailing at $14,910, and Marlo Laz's custom squash-blossom bead choker at $26,800, while Hathaway's wardrobe also includes a reported $27,000 necklace and Meryl Streep's $8,000 earrings. Those price points sit in the aspirational middle of fine jewelry, not the ultra-high-jewelry stratosphere, which is exactly why they are important: they show where collectors and serious first-time buyers are meeting in the market.

The best evening takeaway is not just the dollar amount, but the silhouette. A diamond toggle pendant is easier to wear than a rigid collar, because it brings structure without closing off the neckline. A choker, by contrast, signals confidence and works best on someone who likes the jewelry to speak before the dress does. Together, they point to a season of statement pieces that are bold enough for black tie and flexible enough to layer over tailoring, satin or a simple knit dress.

The holiday shopper should pay attention to the ring finger and the lapel

Meryl Streep's kWIT Mood Orb ring adds another layer to the story, and it is one of the most actionable cues in the whole rollout. At $7,995, the pink tourmaline ring is not a diamond piece, but it captures the same idea that is driving the diamond trend here: a single, highly visible jewel that reads as personality first and luxury second. For readers who do not want a diamond ring that looks like a traditional engagement piece, this is the right mood to borrow, especially for holiday dressing, cocktail parties or milestone gifts.

Even the men's jewelry points in the same direction. John Krasinski wore a Bulgari 18k gold brooch with diamonds and round rubies, along with an Octo Roma watch, showing that brooches are no longer a red-carpet afterthought. For anyone shopping for holiday events, that means lapel jewelry is back on the table, and the most modern versions are the ones that combine diamonds with a color accent rather than relying on plain white sparkle alone.

This is why the premiere matters now, not later. With the film opening on May 1 and the trailer promising more designer jewels inside the movie itself, the red carpet has become a preview of how luxury jewelry will be worn through bridal season, summer gala season and the holidays. The winning formula is already visible: color at the center, diamonds as the frame, and enough scale to register from the back row without losing the intimacy that makes a jewel feel personal.