Claudia Cardinale’s jewels head to Christie’s Paris sale
Claudia Cardinale’s Bulgari Serpenti watch and signed Cartier, Buccellati and Bulgari jewels will headline Christie’s Paris, with part of proceeds aiding her foundation.

Twenty pieces from Claudia Cardinale’s personal collection are heading to Christie’s Paris, and the sale is built on two forces that always draw serious bidders: a name everyone recognizes and jewels with a maker’s signature. The group includes her Bulgari Serpenti watch, cabochon-ruby, star-sapphire and emerald rings, plus Buccellati floral brooches and a butterfly brooch, all of them chosen, cherished and worn by Cardinale. The auction lands just after a Cannes Film Festival tribute to the actor and 65 years after her first red-carpet appearance in 1961.
That timing matters because Cardinale’s jewels do more than carry celebrity provenance. They sit at the meeting point of cinema history, midcentury Italian glamour and house heritage, with Bulgari, Cartier and Buccellati all represented in the collection. In the vintage market, a signed jewel already has an advantage over an unsigned comparable piece. Add a documented owner whose image is tied to European film culture, and the object gains another layer of collectibility that can move it well beyond its metal weight or gem content.

The pieces likely to attract the strongest attention are the ones that combine recognizability with wearability. The Serpenti watch is the obvious headline lot, because Bulgari’s serpent motif remains one of the house’s most durable signatures. The cabochon-ruby, star-sapphire and emerald rings should also travel well with bidders who prize bold stones and clear period character. Buccellati’s floral language, seen here in a rose, a sunflower and a butterfly brooch, offers a different kind of appeal, with decorative craftsmanship that feels distinctly Italian and unmistakably collectible.

Christie’s has placed the sale within its Joaillerie Paris online auction, running from June 19 to 26, 2026. The collection will be exhibited at Christie’s in Paris during the same window, following viewings in Geneva from May 7 to 13. A portion of the proceeds will go to the Fondazione Claudia Cardinale, established with Claudia Squitieri to support contemporary audiovisual creation, with a particular focus on empowering women artists.

Christie’s is not selling these jewels simply as star memorabilia. It is selling a documented cultural archive, one that joins film, fashion and goldsmithing in a single frame. In a market that still rewards signed stones and storied ownership, Cardinale’s collection has the ingredients to turn provenance into premium.
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