Aryna Sabalenka's Wimbledon jewelry partnership spotlights personalized grand slam styling
Sabalenka's Wimbledon set paired emeralds and diamonds with grass-court green, extending a Material Good partnership into a Grand Slam-by-Grand Slam signature.
Aryna Sabalenka's Wimbledon jewelry partnership with Material Good turned the tournament’s grass into a custom suite of diamonds and emeralds, with a necklace, earrings and anklet built to read as part of the match-day wardrobe. The emeralds did double duty: they echoed Wimbledon’s green courts and matched Sabalenka’s favorite stone, while also tying into her birthstone.
Material Good has already turned that styling into a collection page, where the Aryna Axis Anklet is listed at $32,700 and the Aryna Axis Studs & Jackets Earrings at $47,200. The dedicated Aryna Sabalenka collection also extends beyond the Wimbledon set into diamond tennis necklaces and bracelets, which makes the collaboration look like a built-out jewelry wardrobe rather than a single publicity moment. At those prices, the line sits firmly in high-jewelry territory, with personalization doing as much work as carat weight.
The Wimbledon look followed Sabalenka’s 2026 French Open set, which reportedly used more than 200 carats of garnets and 23 carats of diamonds inspired by Roland Garros’s red clay. Read together, the two appearances form a clear Grand Slam-by-Grand Slam styling strategy: red for Paris, green for London, and stones chosen to mirror the surface underfoot instead of simply sitting beside a white tennis kit.
That same emphasis on customization runs through another part of the jewelry and design ecosystem in South Carolina, where Anderson University’s South Carolina School of the Arts launched its High School Summer Art Camp in 2025 for rising ninth- through twelfth-grade students. The 2026 camp materials promise personalized guidance from professional artists and exposure to multiple studio disciplines, a reminder that the appeal of bespoke work often starts with hands-on making before it becomes a finished look. In Sabalenka’s case, the result is a sports setting translated into a jewelry language of color, motif and event-specific design that can be recognized at a glance.
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