VP Music Group reissues Gregory Isaacs’ Working Hard digitally

VP Music Group has reissued Gregory Isaacs’ track "Working Hard" as a new digital release, dated January 14, 2026, and included accompanying dub and extended versions. The move brings another entry from Isaacs’ catalogue back into circulation and widens availability for contemporary listeners and collectors.

The core single is presented alongside a dub cut and an extended mix, giving additional context to the original recording. For DJs and selectors, those versions offer tools for set building: the dub strips and highlights rhythmic elements for sound system play while the extended mix provides extra room for mixing and live manipulation. For archivists and collectors, the release makes a run of Isaacs material more accessible in a market where older masters often linger out of reach.

This digital reissue follows a broader trend of labels making classic reggae catalogues available in streaming and download formats. By focusing on alternate mixes rather than a single transfer, the release serves both casual listeners who want the vocal original and specialists looking for instrumental or lengthened takes that reveal production choices. The dub and extended versions also help document how a recording circulated in sound system culture, where different mixes often shaped a song’s life on the dance.

Practical impact is immediate: update playlists, cue the dub for late-night dub sessions, and slot the extended mix into longer sets where space to breathe matters. Collectors tracking Isaacs’ output gain a straightforward digital reference point to compare against older pressings or cassette-era releases. The reissue also aids younger listeners discovering roots and lovers rock via streaming, offering a clearer line from studio take to dub interpretation.

For community members organizing record nights or compiling archival playlists, the availability of multiple mixes simplifies programming and research. The release is also a reminder that label activity matters to how catalogue music is heard and preserved today; digital availability can revive a track’s presence on radio, club playlists, and personal libraries.

Our two cents? Add all three versions to your crates and playlists, note the differences in arrangement and space, and use the dub to teach sets how rhythm and echo reshape a tune. This reissue is a small but useful piece of catalog work that keeps Isaacs’ voice spinning for the next generation.