Yoga in the Galleries: Columbia Museum offers mindful slow-flow on Jan. 20
Columbia Museum held an all-levels mindful slow-flow yoga class in its newly installed galleries, blending art and movement to offer a restorative community experience.

The Columbia Museum of Art turned its newly installed collection galleries into an impromptu studio for an evening of mindful movement, hosting an all-levels slow-flow yoga class that aimed to leave participants refreshed and present. The session, held January 20 from 5:30 to 6:30 PM, brought yoga off the mat and into the museum’s exhibition spaces, inviting attendees to move among artworks as part of the practice.
Led by RYT instructor Delisa Simpson-Even, the class was imagined as "flowing like living paintings," a concept that shaped sequence and pacing. The workshop emphasized a gentle, breath-led cadence rather than athletic vinyasa, making it suitable for a wide range of students. Participants ranged in age, with the program welcoming anyone 13 and up, and the museum provided mats for those who needed them while allowing people to bring their own mats and props.
Ticketing reflected the museum’s community access approach: the fee was $20 for the public and $16 for members, providing a modest incentive for local patrons to engage with the museum beyond the galleries. The museum also offered background information about the instructor and online registration for the class, making sign-up straightforward for regular practitioners and first-timers alike.
This kind of programming matters because it broadens how cultural institutions serve their neighborhoods. By pairing a slow-flow sequence with the visual stimulus of the collection galleries, the museum encouraged mindful presence and an alternative way to experience art—through movement rather than passive observation. For students recovering from a busy day or those looking for an accessible introduction to yoga, the format offered practical value: slower transitions, alignment cues, and a focus on breath to reduce stress and leave participants centered.
The choice to host the class in recently installed galleries also highlights the museum’s interest in activating its spaces for community use. Bringing yoga into exhibition areas can reduce barriers to wellness by meeting people where they already gather for culture, and it gives museums a role in supporting both mental and physical well-being.
For anyone interested in similar offerings, check the Columbia Museum of Art’s website for registration details and instructor background. Programs like this make it easier to combine an evening of art with a restorative practice, and they point toward more accessible, art-integrated wellness opportunities in the community.
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