Chicago Drum Show marks 35 years as drum community hub
More than 125 exhibitors, six clinics and an Indie Cymbal Summit packed St. Charles as the Chicago Drum Show turned 35.

More than 125 exhibitors filled the Prairie Events Center at the Kane County Fairgrounds in St. Charles, Illinois, as the Chicago Drum Show marked its 35th anniversary and its second year under Johnny and Brian Drugan. VIP admittance ran Friday, May 15, from noon to 6 p.m., with general admission Saturday and Sunday, May 16 and 17, from 10 a.m. to 5 p.m., and door prices were set at $25 for adults and $12.50 for children ages 5-12.
The buying floor was only part of the draw. The 2026 schedule put an Indie Cymbal Summit in the Friday pre-show slot at 5 p.m., then lined up clinics from Zach Miller, Dave King, Calvin Rodgers, Nicholas Baker, Mark Guiliana and Teddy Campbell across the weekend. A Monday summit at Drugan’s Drums & Guitars kept the event rolling after the fairgrounds doors closed.
That mix of sales, playing and education is what separates Chicago from a standard weekend expo. The show’s own history page calls it the longest-running drum show in the United States, and the trail runs back to 1991 under Rob Cook. It began as a Drummer’s Swap Meet organized by Jack Hutchinson at a Holiday Inn in Loves Park, Illinois, with early participants including Rebeats, Randy Rainwater and Bun E. Carlos, Chuck Scalia, Joe Luoma, Blair Holben, Jack Brand’s Percussion Express and Skins N Tins.
That origin still defines the show’s appeal. Builders can put new and custom work in front of players who know exactly what they are hearing, collectors can compare vintage pieces side by side, and working drummers can hear artists like Guiliana, King and Campbell in a setting built for hands-on listening instead of passive browsing. The organizers have said they want to carry Rob Cook’s vision forward while preserving the camaraderie that made the event stick.
On a floor with 125-plus exhibitors and a clinic schedule that ran from Friday afternoon into Monday, the 35th Chicago Drum Show looked less like a nostalgia trip than a live marketplace with a memory. It still works because it keeps the old swap-meet energy at the center, even as the room gets bigger.
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