Brightin Star launches $240 14mm lens for night-sky photographers
Brightin Star’s $239.99 14mm lands with a 116-degree field of view, while Canon’s RF 24-70mm f/2 rumor could keep buyers waiting on bigger purchases.

Brightin Star’s MF 14mm f/2.8 is the one real buy-now signal in this week’s lens chatter: the manual-focus ultra-wide was announced for Sony E, Nikon Z, Canon RF, and L-mount cameras, and the introductory $239.99 pricing ran through June 27. With a 116-degree field of view and a design built around 13 elements in 9 groups, including two aspherical elements, five high-refractive-index elements, and three extra-low-dispersion elements, it is aimed squarely at Milky Way work, landscapes, architecture, and interiors.
If you shoot night skies and have been waiting for a budget-wide option, this is the moment to stop waiting. The lens undercuts better-known ultra-wides on price, and the timing matters because the intro window is short. That makes it the clearest near-term purchase among the week’s releases, especially for photographers who care more about getting a fast, wide manual lens in hand than about autofocus or brand prestige.
The bigger reason some buyers should hold off is the Canon RF 24-70mm f/2 rumor. Canon already sells the RF 24-70mm f/2.8L IS USM and the much heavier RF 28-70mm f/2L USM, which Canon introduced in December 2018, so a true 24-70mm f/2 would sit right between those two reference points. If that lens arrives, it could change the used-market math on both current zooms, especially for anyone considering a costly standard zoom purchase in the next few weeks.
Used gear is already moving in volume. MPB said in January 2026 that it recirculated 615,000 items of used camera gear in FY25, up 9% year over year, which is a good reason to check the secondhand market before paying full retail for a standard zoom or a body that could be pressured by fresh rumor cycles. A Canon launch would not just add another lens to the shelf; it would likely ripple through used RF pricing faster than a lot of shoppers expect.

For hybrid shooters, 7Artisans’ Dream Cine Lenses are the other practical release to watch. The 35mm, 50mm, and 75mm primes come in E, Z, L, and RF mounts, with prices of $299, $279, and $289, or $850 for the three-lens set. 7Artisans says they bring 300-degree focus throw, de-clicked aperture, full-frame coverage, and minimized focus breathing, which makes them far more interesting than their budget tags suggest.
Viltrox also has a tiny wildcard in the AF 28mm f/4.5 Chip L. At 60 grams and 13.2mm thick, it is a full-frame autofocus pancake for L-mount cameras, but it does not accept screw-in filters, so it is best treated as a carry-everywhere oddball rather than a do-everything travel lens. For this week, the play is simple: buy the Brightin Star now if night-sky shooting is the goal, use the used market before Canon rumor noise hardens into real pricing, and wait on any expensive 24-70 decision until the RF f/2 story either becomes a lens or fades.
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