Golden Age Jewelry Auctions' Winter Vintage Online Sale Features 503 Lots

1. Auction overview

Golden Age Jewelry Auctions staged a timed online event titled Winter Vintage Jewelry Auction listed for Feb 26, 2026, presenting 503 lots of vintage and collectible jewelry. The Estatesales.NET listing shows the sale both starts and ends on Feb 26 and LiveAuctioneers carried the winter-sale header and many item-level entries, confirming an exclusively online/timed presentation of classic costume and collectible pieces. The catalog spans costume houses, mid-century designers and Native American silverwork rather than a heavy offering of fine signed high jewelry.

2. Brand roster and sale focus

The Estatesales.NET description names an explicit roster of makers, Napier, Monet, Kenneth Jay Lane, Kramer, Art, Camrose & Kross, Kafin New York, Marvella, Trifari, Heidi Daus, Joan Rivers, Swarovski, Lisner, Barrera, Florenza, Schreiner, Juliana, Kirks Folly, Givenchy, St. John, Weiss, Oscar De La Renta and Weisner, signaling a show built around collectible costume and designer pieces. That lineup frames the sale as a celebration of iconic design and wearable vintage, a market where condition, maker attribution and intact hardware matter more than carat weights or hallmarking. For buyers who value maker names, seeing that many mid‑20th‑century costume houses appear together is useful for spotting pattern and rarity across lots.

3. Unsigned Christian Dior Gripoix multi‑cabochon choker

A standout repeat listing across platforms is an unsigned Christian Dior multi‑cabochon (Gripoix) gold‑tone choker described in LiveAuctioneers and the Golden Age excerpts. The catalog presents it as a jewel‑tone red, green and blue cabochon arrangement in a statement collar form, an archetypal Gripoix aesthetic, but the entry is explicitly unsigned, so attribution is presented conservatively rather than as authenticated Dior. Unsigned attributions are common in vintage costume jewelry; the listing preserves the visual and stylistic cue while leaving definitive provenance open.

4. Unsigned Schreiner white milk glass and pink rhinestone flower brooch, 3.5 inch

Another featured piece is an unsigned Schreiner white milk glass and pink rhinestone gold‑tone flower brooch pin listed at 3.5 inches. The LiveAuctioneers past‑auction entry gives that precise measurement, and Schreiner’s use of milk glass and pastes is an identifying marker even when signatures are absent. Condition and size matter intensely for brooch collectors, and the 3.5‑inch scale places this in the larger, displayable category of Schreiner production.

5. KJL Kenneth Jay Lane flower brooch pin (green) and 4‑strand Aurora Borealis necklace (group lot)

A grouped lot explicitly lists a Kenneth Jay Lane green flower brooch alongside a four‑strand Aurora Borealis necklace, representing how Golden Age packaged related costume pieces for modern styling or resale. KJL’s flower brooches and multi‑strand Aurora Borealis necklaces both appeal to collectors of statement 1960s–1980s costume jewelry and indicate the sale’s strength in named designers. Grouped lots like this allow bidders to acquire a wearable set rather than a single accessory.

6. Sterling silver rings grouping, 223 grams total

The catalog includes a bulk lot of sterling silver rings described as a variety of sizes weighing 223 grams. That total weight signals a substantial run of silver metal likely encompassing multiple styles and makers; such lots are common for dealers or buyers seeking material value plus occasional designer surprises. The listing preserves the group nature and weight rather than itemizing every ring, so condition and individual hallmarks would need inspection via the auction images or a follow‑up condition report.

7. Vintage 1980s Givenchy "G" logo gold‑tone necklace, 16 to 18 inch, pristine

A 1980s Givenchy "G" logo gold‑tone necklace appears with a 16–18 inch length and a “Pristine” condition descriptor in LiveAuctioneers’ extract. Givenchy costume from that era is sought for logo motifs and strong plating; the 16–18 inch range positions it as a near‑choker to princess length suitable for everyday wear. The “Pristine” tag warrants confirmation via photos and any condition notes, but it suggests plating integrity and intact clasping.

8. Vintage Native American B Begay turquoise sterling silver cuff, 33 grams, 6.25 inch

The sale also includes Native American silverwork such as a B Begay turquoise sterling cuff specified at 33 grams and 6.25 inches. Attributions to makers like B Begay and explicit gram/length data are valuable for assessing both wearable fit and silver content. As always with Native American pieces, maker attribution and inlay quality should be verified through photos and provenance statements when possible.

9. Antique marcasite sterling silver picture locket pendant with ornate chain, 30 inches, 32 grams

An antique marcasite picture locket set on a 30‑inch ornate chain, noted at 32 grams, appears in the extracted LiveAuctioneers listings. The 30‑inch chain makes the locket a long pendant suitable for layering, while the marcasite setting signals late‑Victorian or early‑20th‑century styling in silver plate or sterling. Weight and chain length are explicitly given, useful for buyers tracking wearable proportions and metal content.

10. Antique guilloche enamel pastel silver plate compact

A guilloche enamel pastel silver‑plate compact is included among the sale highlights, an accessory collectible that sits at the intersection of vanity art and jewelry collecting. Guilloche enamels survive best when interiors and enamel surfaces are intact, so images and condition notes on the listing will be decisive for collectors. Compacts can command attention as decorative objets when the guilloche finish and enamel coloration remain vibrant.

11. Vintage American Southwest A R P Zuni NM inlay gemstone dancer sterling pendant necklace, listed as “Necklace 18”

The catalog lists an American Southwest A R P Zuni NM inlay gemstone dancer sterling pendant necklace with the notation “Necklace 18.” The source preserves that numeric shorthand exactly as presented; similar listings elsewhere use inches, so the entry likely denotes an 18‑inch length but the original text is ambiguous and intentionally preserved. As with other Native American listings, maker notation and inlay work are the core attributes buyers should inspect carefully.

13. Antique vintage gold‑filled red crystal heart bangle bracelet, 22 grams

An antique gold‑filled red crystal heart bangle is listed with an explicit weight of 22 grams, giving a clear indicator of metal content and heft. Gold‑filled construction changes conservation and market expectations compared with solid gold; the red crystal heart motif places this piece in sentimental or novelty antique markets. The explicit gram weight helps buyers compare material value and wearable mass.

14. Rare antique 1800s needlepoint French purse with pink flowers and jeweled frame

The sale includes a rare antique 1800s needlepoint French purse decorated with pink flowers and a jeweled frame, a textile and metalwork hybrid collectible. Such purses are prized for condition of stitching, color preservation and the integrity of the jeweled metal frame; they often sit in decorative collections as well as costume‑jewelry lots. The catalog flags it as rare, which should prompt bidders to review condition photography closely.

15. Antique Victorian gold‑filled bangle bracelet with etched floral design, fits up to 7.5 inch

An antique Victorian gold‑filled bangle with an etched floral motif is listed as fitting up to 7.5 inches, a useful sizing note for modern wearers. Victorian engravings and floral etching can be delicate; the fit information and era designation help match the piece to contemporary wrists and perspective collectors. As with other gold‑filled items, construction affects how conservators and buyers assess long‑term wear.

16. Vintage unsigned Alice Caviness multicolor bubble glass rhinestone gold‑tone bracelet, 7 inch

A 7‑inch Alice Caviness bracelet described as multicolor bubble glass with rhinestones and a gold tone appears among the past auction items, described explicitly as unsigned but attributable by style. The 7‑inch length is a common fit for average wrists, and Alice Caviness’s playful glass techniques make this bracelet a collector’s example of mid‑century costume craft. Condition and clasp security remain key details for assessing wearability.

17. Vintage Juliana pink intaglio rose cabochons rhinestone five‑link bracelet, 7 inch, pristine

A Juliana five‑link bracelet set with pink intaglio rose cabochons and rhinestones is noted at 7 inches and described as “Pristine” in the listing. Juliana (DeLizza & Elster) pieces with intaglio cabochons are highly collectible; the pristine condition tag elevates interest and potential value for collectors seeking intact stone settings and original link integrity. The combination of intaglio carving and rhinestone accents is a hallmark of Juliana’s decorative approach.

18. Native American sterling silver inlay gemstone cardinal red bird pendant necklace, “Bench Beads 28”

A Native American sterling silver inlay gemstone cardinal red bird pendant necklace is entered with the unusual notation “Bench Beads 28,” preserved exactly as listed in the source text. That phrasing appears in the catalog verbatim and should be checked against images or a condition report to clarify whether it refers to bead count, length, or another attribute. The cardinal motif and inlay technique are collectible features that justify close photographic inspection.

19. Native American multi‑gemstone carved fetish animal sterling silver necklace, 28 inch

The catalog also lists a multi‑gemstone carved fetish animal sterling necklace at 28 inches, an explicitly wearable length for layered looks. Carved gemstone fetishes are regionally and culturally specific; clarity about maker, materials and how the carvings were mounted into silver should guide both valuation and ethical collecting choices. The 28‑inch length and sterling construction are explicit in the listing.

20. Platforms, registration and user prompts: Estatesales.NET and LiveAuctioneers details

Estatesales.NET carried the event page text and practical prompts such as “Become a User, Get Notified of Estate Sales For Free!” and “Create a free user account and be notified of local estate sales near you,” while LiveAuctioneers showed event headings and past‑auction listings with “Preview & register to bid: View Event →.” The Estatesales.NET page also provides operational help lines like “Problems Seeing Pictures? If you are having trouble seeing the above pictures, please submit your browser information to us so we can try to fix this for you” and a “Flag This Sale” reporting option. Those platform details matter: online auctions depend on clear photography, condition notes and registration workflows, and the pages preserved those logistical cues.

21. Attribution, repetition and ambiguous listing language to note

Several items appear repeatedly across Golden Age’s LiveAuctioneers past‑auctions and Estatesales.NET descriptions, for example the unsigned Christian Dior Gripoix choker and the Schreiner brooch, and many entries preserve ambiguous numeric shorthand such as “Necklace 18” and “Bench Beads 28.” The catalog explicitly labels designer attributions as unsigned in some cases and uses condition tags like “Pristine” for Givenchy and Juliana items; these are the exact descriptors bidders will rely on. For due diligence, the listing’s ambiguity around units and the truncated fragment in the original extract point to the need to inspect the catalog images and condition reports before bidding.

22. Comparative context: Turner Auctions’ separate winter jewelry offerings

The provided materials also include separate Turner Auctions & Appraisals winter jewelry notices (for example a Dec 13, 2025 Winter Auction featuring over 220 lots) that are not part of Golden Age’s catalog but offer market context: multiple houses are staging seasonal jewelry auctions with overlapping collecting themes. Turner’s calendars and maker lists (Buccellati, Tiffany, Schiaparelli, Jomaz, Alfred Philippe) in the extracts highlight a contrast: Golden Age’s Feb 26 sale emphasizes costume designers and Native American silver, while other houses may supply more fine gold and branded high jewelry to the marketplace. That difference helps collectors choose the platform that best matches their collecting priorities.